Showing posts with label blues. Show all posts
Showing posts with label blues. Show all posts

Jimi Hendrix - Live at Woodstock (1999) Review

Jimi Hendrix - Live at Woodstock (1999)
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Jimi Hendrix - Live at Woodstock (1999) ReviewJimi Hendrix at Woodstock is disputabily the greatest concert ever given. I am an avid Hendrix fan and was elated to see this DVD. This is by far the best DVD I have and shows Hendrix at his greatest. Izabella is revolutionary, Fire is rock solid, Red House is great (Jimi broke his high E string), his Woodstock Improvisation is incredible and his Star Spangled Banner is priceless. That being considered, it deserves 5+ stars.
Although Expericnce Hendrix has done a great job releasing material since they won Jimi's legacy a few years ago, this DVD, contrary to the CD version, was disappointing in its length. There are many songs missing. I owned the CDs first and will list my disappointments: (1) I desperately wanted to hear and see all of Message to Love and Hear my Train a Comin', two of Jimi's new songs as he broke away from the Experience. (2) I also wanted to see Spanish Castle Magic, Foxy Lady, Hey Joe and Lover Man, all not included on the DVD. (3) The order of the songs was jumbled on the DVD and I wanted to see the actual chronological order of the songs. (4) Many of Jimi's comments, some pretty interesting (a la those before Izabella for those who own the CDs), were totally cut out. (5) If it replaced another of the aformentioned left-out songs, I really did not need to hear Larry Lee being backed up be Jimi on Jam Back at the House. Considering they cut out Larry Lee's other songs from the CD I was amazed that this one even made it.
I guess I wanted a DVD identical to the CDs, which is not what this is. However, this is a must for any fan of rock music in general, but I felt I had to voice my completist complaints. Without a doubt, a must have.Jimi Hendrix - Live at Woodstock (1999) Overview

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Martin Scorsese Presents the Blues - Red, White & Blues (2003) Review

Martin Scorsese Presents the Blues - Red, White and Blues (2003)
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Martin Scorsese Presents the Blues - Red, White & Blues (2003) ReviewIf you even just sort of like the Blues, you might need to own this disc. For my money, the best parts were the recent live recordings by Van Morrison, Tom Jones, Jeff Beck and Lulu. You will be stunned.
The previous review hit it on the mark with the opening scene of Van Morrison walking into an Abbey Road session, liking the vibe, picking up a guitar and diving into the song. To quote Eric Clapton later on in the material, I was gobsmacked!
I've always liked Tom Jones' voice and presence but he just blew me away here. His love of the Blues and his understanding of that genre were something I had no idea about prior to watching this on PBS.
Then there's Jeff Beck. Back in the late 60's and early 70's, I was a big Jeff Beck fan especially of his guitar mastery. Here again, no idea about his feel for the Blues. The song "Drown in my own tears" with him on guitar and Lulu on vocal is something to be savored and treasured. When you watch this one, remember that Jeff Beck is over 60 years old... he's pure magic without the tricks. Watch his finger work on both hands particularly his string-bending. This is the real deal when it comes to guitar playing.
Lulu was an unexpected surprise in all of this. What a marvelous voice and feel for the Blues material here! She makes you feel the ache.... the phrase "hurts so good" comes to mind. Wow.
O.K., back to our story... who'd a thunk that a bunch of white British kids would introduce the Blues to America? That's right. That's what this disc details - the path of the Blues from the Mississippi Delta to Chicago and Detroit to Britain and back to America.
Back in the 50's and early 60's, the Brits had no compunctions about black musicians having white girlfriends and wives and so they listened, accepted, and came to love these gifted individuals and the music they brought with them. For those "mixed race couples" reasons, the USA turned it's back on them and would not allow their music to be played on most radio stations. However, down south, white kids were listening to it on their transistors late at night under the covers.
Meanwhile over in England, Clapton, Beck, Jimmy Page, Keith Richards, the Beatles, Van Morrison, Mick Fleetwood... were all tremendously influenced by the Blues ala Muddy Waters, Albert King, Howlin' Wolf, Lightnin' Hopkins, etc. Only thing is, they got it direct from the Horse's Mouth.
When these folks and THEIR bands came to America, they brought the Blues with them in the songs they covered, and Americans said, "WHAT is THAT?" Because black musicians weren't played on mainstream radio stations, nobody had heard them before. So the message of the Blues had to migrate to England first before we could even pay attention. Because white musicians were the ones who brought it back, it was then accepted by mainstream America. If you love the Blues today, you owe a tremendous debt to the Brits.
This DVD chronicles that journey. The steps it took to complete it are outlined and elucidated by many, many British musicians whose love for the Blues just can't be hidden. In many cases, they were allowed to go up on stage and play behind these ambassadors of the Blues when they first hit England. Their admiration for the simplicity and feeling that are the key elements of great Blues material and the playing of it is readily apparent. For those reasons, this DVD will become a sparkling gem in any collection of Blues music and video you may already own.
Don't forget to scour the Special Features section on the DVD as well. Some very interesting, first rate stuff to be found there. The more I watch this disc, the more I feel like I'm in on some kind of very cool secret. I promise you won't be disappointed.
After viewing the DVD several times, I also bought the companion CD which features full length versions of the songs featured in the documentary. Pure audio dynamite!Martin Scorsese Presents the Blues - Red, White & Blues (2003) Overview1. Red, White & Blues2. Red, White & Blues - Credits3. Director Interview - Mike Figgis4. Director Biography - Mike Figgis5. Director Filmography - Mike Figgis6. The Blues - Tralier7. Volkswagen Commercial8. Cry Me A River9. Lush Life10. Nadia11. Piano Improvisation12. Blues Jam13. Who's Sorry Now14. Piano Jam

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Captain Beefheart: Under Review Review

Captain Beefheart: Under Review
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Captain Beefheart: Under Review ReviewMost of the complaints among reviewers here are that the performances are not long enough. Well, this is a documentary, folks, and that is the way documentaries are made. Documentaries almost never contain complete performances, go watch some and see for yourself.
This is a relatively low budget documentary about a guy who is surrounded in controversy, who would not cooperate in the making of it, and whose bandmembers also did not all participate. So getting footage was not easy and getting interviews and info was limited. Combine that with the low budget, and I think the documentary makers did a very good job here!
First of all, unless you are a hard-core collector, this dvd has quite a bit of rare footage, and a lot of info and opinions I had not heard before.
It moves well, you don't get bored because they include snippets of music every so often, and yes, that is what music is for in a documentary. Okay, I agree, they could have left some of the performances a little longer, but for me it was about the Information, not the music. I have enough Beefheart music in my collection. This is a good overview of Beefheart and his rise to fame and his going into (intentional) obsurity.
I am one of the world's original Beefheart fans, having bought Trout Mask the day it came out, (okay, I know some of you were around since Safe As Milk, but still, Trout is early...), and I consider him one of the world's living musical geniuses.
I enjoyed this documentary and am glad I bought it. It's all we have unless someone comes along with more money to spend on one, and gets Don's cooperation. Unlikely.
Some day you will see a documentary about Don Van Vliet, the PAINTER, as his fame and respect in the art world grows. Chances are it won't be until after he dies. So enjoy this for now.
Meanwhile, go to youtube and beefheart dot com and find all kinds of rare footage and music.Captain Beefheart: Under Review OverviewCaptain Beefheart - Under Review is a two hour documentary film tracing the roots and history of this iconic musical legend.It features rare live and studio performances of Beefheart, interspersed with contributions from virtually all members of The Mag

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And This Is Free: The Life and Times of Chicago's Legendary Maxwell St. (2008) Review

And This Is Free: The Life and Times of Chicago's Legendary Maxwell St. (2008)
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And This Is Free: The Life and Times of Chicago's Legendary Maxwell St. (2008) ReviewThis is an outstanding release--the subject is Maxwell St. Chicago,a legendary marketplace and breeding ground for some of the finest blues music ever made--and as could be expected some fairly eccentric characters emerged.
The DVD consists of two b/w films,And This Is Free and Maxwell Street;A Living Memory--both are excellent and include some fine music from the street, including Robert Nighthawk. An excellent 36page booklet include many great photos and information, plus a 17track CD of blues that you could have heard back in the day.Plus some excellent extras which all add up to a great record of a place in time that sadly is now gone but not forgotten thanks to this release.
A lot of work has gone into this and we should all appreciate everybody concerned for there fine work--anyone interested in blues history, Chicago, the history of America, life-----anybody left!!!---you will enjoy. Support this release, the only way we can get more.And This Is Free: The Life and Times of Chicago's Legendary Maxwell St. (2008) Overview

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Jimi Hendrix: Blue Wild Angel - Live at the Isle of Wight (1971) Review

Jimi Hendrix: Blue Wild Angel - Live at the Isle of Wight (1971)
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Jimi Hendrix: Blue Wild Angel - Live at the Isle of Wight (1971) ReviewAs far as film accounts of Jimi Hendrix go, this is absoluetly the best from every conceivable perspective. Camera work is terrific: none of the poor lighting that mars Berkley or Band of Gypsies, none of the dental examination that comprises all but a few minutes of Woodstock. The opening sequences are informative. Mitch Mitchell and Billy Cox give a very solid account of how truly beyond pop stars they had become by that point, heading towards a jazz-blues fusion that only Miles Davis and John McLaughlin would be able to assume with any respectability.
It is very clear from backstage chatter thru the comments of his tour manager and band mates that Hendrix was not keen on performing at this concert and had begun to feel that he was, in fact, beyond rock and its infantile approach to artists. That said, he had enormous respect for the people who had paid money to see him and so tore into this concert with enormous brio. His fingerwork is among his most dazzling. The camera crew captures three men feeding off each other with visual ques that also point to how sober, clean and focused Jimi was by this time. He and Mitchell were as in sync with each other as Coltrane and Elvin Jones. Cox has been unfairly glossed over in music and this film and soundtrack illustrate that he was the best bass player for the best guitarist of all time.
If you are a fan, pick this up. If you are curious, I'd suggest this as theplace to start. Many thanks to the Hendrix family for releasing an incendiary performance. In a matter of weeks, Jimi would be dead. You'd never guess it from here: one listen to Voodoo Chile would convince you.
I might also add that this DVD is far superior to the CD, whose sequencing made no sense and gives the listener the impression that Hendrix wants to get out as soon as possible. For the future: stick with Jimi's sequencing. He knew what he was about, and this DVD proves it.Jimi Hendrix: Blue Wild Angel - Live at the Isle of Wight (1971) Overview1 Isle Of Wight Document... 2 Band Introduction 3 Band Introduction 4 God Save The Queen 5 God Save The Queen 6 Sgt. Pepper's Lonely H... 7 Sgt. Pepper's Lonely H... 8 Spanish Castle Magic 9 Spanish Castle Magic 10 All Along The Watchtow... 11 All Along The Watchtow... 12 Machine Gun 13 Machine Gun 14 Lover Man 15 Lover Man 16 Freedom 17 Freedom 18 Red House 19 Red House 20 Dolly Dagger 21 Dolly Dagger 22 Foxey Lady 23 Foxey Lady 24 Message To Love 25 Message To Love 26 Ezy Ryder 27 Ezy Ryder 28 Purple Haze 29 Purple Haze 30 Voodoo Child (Slight R... 31 Voodoo Child (Slight R... 32 In From The Storm 33 In From The Storm 34 Closing Credits 35 Closing Credits 36 Spanish Castle Magic 37 Spanish Castle Magic 38 Machine Gun 39 Machine Gun 40 Red House 41 Red House 42 Foxey Lady 43 Foxey Lady 44 Behind The Scenes - In... 45 Behind The Scenes - In... 46 Behind The Scenes - In... 47 Isle Of Wight DVD Disc... 48 Murray Lerner Filmogra... 49 Isle Of Wight Memorabi

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B.B. King & Friends: A Night of Blistering Blues Review

B.B. King and Friends: A Night of Blistering Blues
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B.B. King & Friends: A Night of Blistering Blues ReviewAlthough the DVD was released in 2005, this is certainly from the 80s and not sure where it was recorded, but it is more of an intimate concert setting.
What is really a bonus here is to see Etta James perform! Last time I saw her, she was in a concert setting called Etta James and the Roots Band - Burning Down the House, and the house didn't quite burn. But to watch and hear her sing "I'd Rather Go Blind" is something, and who joins her...Dr. John! And another classic by Etta, "Something's Got a Hold on Me".
The show opens with B.B. "Why I Sing the Blues". Phil Collins plays drums and Eric Clapton is also a guest. A memorable performance by Billy Ocean, with Chaka Khan, "When Something is Wrong with My Baby".
B.B. King does "Midnight Hour" and "Let the Good Times Roll". Gladys Knight, Etta, and Chaka sing "Ain't Nobody's Business" and the three with Billy Ocean, also do a classic gospel "Take Me Precious Lord".
If Stevie Ray Vaughn is your favorite, he, with Paul Butterfield and Albert King perform "The Sky is Crying". Gladys sings does "Please Send Me Someone To Love". Great music for blues fans, great historic performances.... I had not seen Etta perform like this, and it's clear you will not see her like this again If you enjoy live blues performances, see the amazing Lightning In a Bottle: A One Night History of the Blues good quality, great sound, and one of the best blues concerts. ....Rizzo
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Martin Scorsese Presents the Blues - Feel Like Going Home (2003) Review

Martin Scorsese Presents the Blues - Feel Like Going Home (2003)
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Martin Scorsese Presents the Blues - Feel Like Going Home (2003) ReviewFeels Like Going Home attempts to tell the story by tracing the blues back through the Mississippi Delta and back in Africa. Blues player Cory Harris takes us from the Mississippi Delta to the African country of Mali to detail how the blues were influenced culturally by the people of Mali and the suffering engendered by slavery which forever separated families on their shores.
This DVD also has some excellent historical footage never before seen by me, including that of Son House explaining why he quit playing the blues around 1942 after the field recordings Alan Lomax made in Mississippi. Son House stopped playing after some of his contemporaries started dying (Charlie Patton, Robert Johnson), and he actually thought he would be next to die! I was surprised to hear him say this, but he honestly believed that, and as such, moved to New York state. Until some blues enthusiasts found him in the mid 60's, many had no idea where he was....some even claimed to have seen him in movie theaters in Alabama. This was the first time I had ever heard Son House explain why he gave up music for two decades.
A criticism: Much more time could have been spent on the history of the early blues in the United States. The rare footage was wonderful to see, as were the interviews with legends such as Johnny Shines, because he had first-hand knowledge of Robert Johnson and that era. But once Cory Harris goes back to Mali, very little is offered by way of a direct and tangible nexus linking the two. In fact, too much time is spent introducing Cory Harris to various tribesman, their families, and then they even highlight the welcoming ceremony of guns for Cory Harris....I thought this was supposed to be a DVD about the history of the blues! The first 45 minutes were very interesting, but the latter half left much to be desired.Martin Scorsese Presents the Blues - Feel Like Going Home (2003) Overview

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Gary Moore & Friends: One Night in Dublin - A Tribute to Phil Lynott (2009) Review

Gary Moore and Friends: One Night in Dublin - A Tribute to Phil Lynott  (2009)
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Gary Moore & Friends: One Night in Dublin - A Tribute to Phil Lynott (2009) ReviewAs with almost everything that Gary Moore releases, this DVD has great moments, strange decisions and bad moments. Let's check them:
1) Good factors: sound quality is excellent. Crisp, loud and clear. Brian Downey is playing very steady, as strong a drummer as ever. Gary is playing like hell. Man, this guy is s master of the six-strings. Scott Gorham: the Black Rose instrumental part is breathtaking. The guy played with conviction and hit every note right, enjoying the moment.
2) Strange: Gary beginning the show with a solo tune. Maybe he just wanted to warm up the audience... Also, maybe because the concert was an homage to Lynott, the bass player was extremely low profile, even vclearly being clearly professional and a great player. Not bringing Sykes was weird.
3) Bad moments: Brian Robertson. It hurted me to see the guy barely being capable of playing, It was clear he was going through the motions. An embarassing moment.
Gary singing at the top of his lungs. Subtlety is not a virtue of him... He sings the songs in a harsh and "brutal" manner, totally devoid of any of the nuances used by Lynott. This is annoying at sometimes.
In genereal, however, this ia a very worth purchase.Gary Moore & Friends: One Night in Dublin - A Tribute to Phil Lynott (2009) Overview

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Paris, Texas: Original Motion Picture Soundtrack Review

Paris, Texas: Original Motion Picture Soundtrack
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Paris, Texas: Original Motion Picture Soundtrack ReviewOne of the immortal scenes: Harry Dean Stanton in the desert, scrambling out of nowhere, a tortured Everyman in search of solace. And then Ry Cooder`s slide guitar notes, modeled on Blind Willie Johnson`s " Dark was the night" - when have so few notes said so much? The music and the film images fit like hand and glove. I do not know whether "Paris, Texas" is a great movie, but I do know that it, for me and a host of others, is one of the most unforgettable movies ever, with images and feelings that refuse to let go, creeping under the skin and staying there. The music underlines this feeling, with not a surplus note, every little vibrato inuitively perfectly suited to the atmosphere conveyed in the movie - love and loss, union and aloneness, and, above all, compassion . If the music doesn`t reach these feelings, the experience may be that of the 1-star reviewer quoted. But to me, this music is one of the most durable selections I have in my 1000-piece collection, one of the few that always brings rewards and new nuances when listened to.Paris, Texas: Original Motion Picture Soundtrack OverviewCD > POPULAR MUSIC > MOVIE SOUNDTRACK

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Rush: Music From The Motion Picture Soundtrack Review

Rush: Music From The Motion Picture Soundtrack
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Rush: Music From The Motion Picture Soundtrack ReviewEric Clapton had never provided the score to a film, but he finally jumped into the film area with the soundtrack to Rush. The movie chronicles the tale of two undercover narcotic offices who in the course of their jobs become heroin addicts themselves. The album is made up of mostly instrumentals that has a dark and mellow nature that underscores the decent into drug addicted hell the two cops spiral into. Mr. Clapton himself was facing tragedy as he was recording the album, his four year old son Conner, was killed when he accidentally fell out of a window. To memorialize his son, he wrote and recorded one of most haunting and elegant songs ever written about the loss of loved one, "Tears In Heaven". The song would go on to bigger fame in it's Unplugged version, but the studio version is equally beautiful and worth buying the album for alone.Rush: Music From The Motion Picture Soundtrack Overview

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Farewell: Live in Concert Review

Farewell: Live in Concert
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Farewell: Live in Concert ReviewThe one I have been waiting for , the only bad thing is that is a farewell tour, I would love to see more video's of this quality!Farewell: Live in Concert Overview

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Voodoo Child: The Jimi Hendrix Collection Review

Voodoo Child: The Jimi Hendrix Collection
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Voodoo Child: The Jimi Hendrix Collection ReviewHas any artist been more shoddily treated than Jimi Hendrix when it when it comes to posthumously released CDs? Fortunately with the formation of the production company Experience Hendrix by surviving relatives, Hendrix's releases have vastly improved from the days of LPs like Crash Landing and Midnight Lightning. This latest 2-CD release is another welcome addition to the Hendrix catalog, including both familiar studio versions of classic songs like "Purple Haze," "The Wind Cries Mary," and "Voodoo Child (Slight Return)," along with alternate takes like "All Along the Watchtower," "Highway Chile" and "Stone Free." The last two taken for last year's excellent Jimi Hendrix box set.
Which raises the issue, how much of this material will be new to the die-hard fan. The quick answer is, probably not much. Only one song is listed as "previously unreleased," the live version of "Foxey Lady" taken from a 1970 concert in Maui less than two months before Hendrix's untimely death at 27. Five tracks from the live disc are listed as "previously unavailable," including "Fire," "Hey Joe" (both from a 1968 Winterland concert), "Red House," "Freedom" (from an Isle of Wight concert) and a nearly eight-minute version of "Wild Thing" from 1967's Monterey Pop Festival. Except for the three tracks just mentioned, all of the live material comes from 1969 and 1970. While liner notes author Kurt Loder sees this period as an era of decline--"the group seemed alarmingly played out," he writes--these live tracks leave the listener with the question "What if...?" Unfortunately, that question will stay unanswered. The best we can hope for is the continued release of quality Hendrix material like this for the next generation to discover and enjoy. HIGHLY RECOMMENDEDVoodoo Child: The Jimi Hendrix Collection Overview2 CD's in a trifold digipak featuring his greatest studio recordings and 12 live tracks. Full color 20 page booklet. Includes the bonus track 'Third Stone From the Sun' along with previously unreleased live versions of 'Fire', 'Hey Joe', 'Red House', 'Freedom' & 'Wild Thing'. 2002.--This text refers to an out of print or unavailable edition of this title.

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The Color Purple Review

The Color Purple
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The Color Purple ReviewI received this soundtrack as a birthday gift and it is the best CD in my collection and the best birthday gift I've ever received. The music inspires, uplifts, and relaxes you. "Miss Celie's Blues (Sister)" and "Maybe God is Trying to Tell you Somthin' are my favorites because I like the messages in both songs. When listening to the CD, it takes me back to the scenes in the movie when that particular song is playing. I love Whoopi's expression when Shug is singing "Sister" to her. It always brings a smile to my face. I will definitely enjoy this CD for a long time.The Color Purple Overview

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The Very Best Of MTV Unplugged 3 Review

The Very Best Of MTV Unplugged 3
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The Very Best Of MTV Unplugged 3 ReviewWhen I saw this disc I thought "Another "Best of Unplugged? Let's see what left-overs were included here".
I was surprised to see that almost all the songs were hits by these artists since the earlier Best Of's included songs I had never heard before.
17 tracks (10 of which were previously unreleased) in their acoustic versions where the standouts are:
Sting - Message in a bottle
REM - It's the end of the world as we know it....
Alanis Morrissette - Hand over feet
Sheryl Crow - Leaving Las Vegas
Kiss - Sure know something
The cure - Boys don't cry
Live - I alone
THe bonus here is that a DVD with the 17 performances is included which makes this a must have for all Mtv Unplugged lovers out there.
Very enjoyable and I highly recommend to all music lovers.The Very Best Of MTV Unplugged 3 Overview

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Martin Scorsese presents The Blues - A Musical Journey (2003) Review

Martin Scorsese presents The Blues - A Musical Journey (2003)
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Martin Scorsese presents The Blues - A Musical Journey (2003) ReviewThe premise is a good one: take seven visionary directors and turn them loose on a subject like the blues. The result, while for the most part excellent has a slight tendency to lag a little.
The Blues takes us on a musical journey through perhaps the only true American art form. The journey begins in the Mississippi delta and winds its way to Mali and all points in between. What we wind up with is a history of the black influence in American and its expansion to the world.
The series opens with Martin Scorsese's Feel Like Goin' Home a documentary that takes modern blues player Cory Harris from the Misissipii delta to Mali in Africa to explore the similarities in the music that moved from Africa with the slave transports to the Southern United States.
German director Wim Wenders film The Soul of a Man chronicles the lives of three blues players that affected the director. Through fictional recreation and archival footage we get biographies of Blind Willie Johnson, Skip James, and J.B. Lenoir.
Richard Pearce takes us on a musical journey with B.B King. and Rosco Gordon back to Memphis and Beale Street og the past and present in his Road to Memphis. Also explored is the story of moden player Bobby Rush who continues to travel the "chitlin circuit" of his ancestors. The film culminates in a performance of bles legends at the W.C. Handy Awards.
Charles Burnett tells the story of his youthful travels with his southern blues loving uncle in Warming By the Devil's Fire. This film relies heavily on archival footage of the great southern blues artists and explains the differences between the music that was played on Saturday nights in contrast with the gospel music of Sunday mornings. It is interesting to note that in many respects that there was not a whole lot of difference between the two genres in style.
Perhaps the most interesting film is Marc Levin's Godfathers and Sons which explores the Chicago blues scene. The film profiles Marshall Chess, son of Leonard Chess and founder of the legendary Chess Records. Chess meets with rap icon Chuck D to take the blues to its next level with a modern recording of Electric Mud. The reunion of the origal band with blues next generation makes for an interesting film.
Red, White and Blues by director Mike Figgis explains the blues impact on classic rock in the 60's and 70's. This is a straight interview piece that covers the British invasion by the music and its branching out to the world.
Piano Blues is Clint Eastwood's contribution to the series. This film features interviews with piano masters Ray Charles, Dr. John and Dave Brubeck. This piece also includes archival footage of Art Tatum, Theolonious Monk, Fats Domino, and Professor Longhair.
The series is a good one if not necessary one that you'll want to watch over and over. The main problem is that there too little emphasis on the actual recordings. The films stress the music but I would have enjoyed hearing more.Martin Scorsese presents The Blues - A Musical Journey (2003) OverviewMARTIN SCORSESE PRESENTS THE BLUES - DVD Movie

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Ghost Blues: The Story of Rory Gallagher & the Beat Club Sessions (2010) Review

Ghost Blues: The Story of Rory Gallagher and the Beat Club Sessions (2010)
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Ghost Blues: The Story of Rory Gallagher & the Beat Club Sessions (2010) ReviewGhost Blues The Story Of Rory Gallagher is a must have for any Rory Gallagher fan or for anyone who simply loves the great Blues guitarists! This fantastic 2 disc dvd set covers the life of Rory Gallagher from his childhood in Ireland to his untimely death in England at the young age of 47. Born William Rory Gallagher on March 2, 1948, Rory was the first child of Daniel and Monica Gallagher, who both were musically talented with not only singing, but Daniel also played accordian. At around age 5 or 6, Rory loved to sing and play his songs on a little dimestore plastic ukelele. It wasn't long before Rory's parents bought him his first real wood guitar at the young age of 9. Rory quickly showed his natural talent and began winning talent contests, using the prize money to buy yet a better guitar. In 1961 Rory's parents bought him the very first Fender Stratocaster guitar in Ireland- a Sunburst model which cost 100 pounds. Rory's younger brother Donal tells many great stories about Rory on this dvd and about how this guitar might as well have cost 100 million pounds, as his parents went into great debt to afford this gift for Rory. Rory used this very famous guitar through every decade up until his death in 1995.
There are many very rare pictures, films and stories on this tremendous dvd about Rory. He was the first great Blues guitarist in Ireland who opened the doors for all the other great Irish bands such as Thin Lizzy, U2 and many others. There are also many great photos, stories and films from Rory's first band from the sixties, The Taste. Besides many great commentaries and stories from his brother Donal, we also hear from Bob Geldof, Bill Wyman, Cameron Crowe, his bandmates, many others and Rory himself on this dvd. The stories from his brother Donal are wonderful, as we hear how there were no blues bands in Ireland, so Rory had to learn everything from listening to Woody Guthrie, Lead Belly and other blues greats on the radio and tv. Rory's genius didn't stop with just the guitar, he also played slide guitar, alto saxophone, bass, mandolin, banjo, harmonica and coral sitar. He was well known playing at the Marquee Club in the U.K. sharing the stage with other greats such as Cream.
On the second dvd are rare, never before seen performances from The Beat Club Sessions in 1971 and 1972. These early, rare performances have been cleaned up so the picture looks absolutely fantastic with crisp colors and superb sound! The cameras showcase Rory's early guitar work and is a real treat to see up close! A very young Rory is joined by Gerry McAvoy on bass guitar and Wilgar Campbell on drums playing the following songs:
1. Laundromat
2. Hands Up
3. Sinnerboy
4. Just The Smile
5. Used To Be
6. In Your Town
7. Should've Learned My Lesson
8. Crest Of A Wave
9. Toredown
10. Pistol Slapper Blues
11. I Don't Know Where I'm Going
12. Going To My Hometown
13. I Could've Had Religion
14. McAvoy Boogie
15. Hoodoo Man
16. Messin' With The Kid
In the late 80's, Rory began to have health problems and in 1995 he had a successful liver transplant. Just before being released from the hospital, Rory developed a MRSA infection. His health quickly deteriorated and he died on June 14, 1995. Ireland lost their leader of the Irish rock movement and the world lost a great blues guitarist, singer, songwriter and bandleader. This dvd set is a fitting tribute to Rory Gallagher whose life was too short, but whose tremendous talent will live on forever through his great trailblazing blues music!Ghost Blues: The Story of Rory Gallagher & the Beat Club Sessions (2010) Overview

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The American Folk Blues Festival 1962-1966, Vol. 1 (1962) Review

The American Folk Blues Festival 1962-1966, Vol. 1 (1962)
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The American Folk Blues Festival 1962-1966, Vol. 1 (1962) ReviewMiraculously unearthed and licensed by Reelinintheyears and released through Experience Hendrix, the 3-hours featuring 36 performances by 24 artists are the real thing filmed at the peak of many of their careers. Filmed in a Baden-Baden Germany studio with sets designed to reflect the realities of the urban blues, the sound and B&W footage is amazing. Imagine seeing Muddy Waters, Howlin' Wolf, Sonny Boy Williamson, Lightnin' Hopkins, T-Bone Walker, John Lee Hooker, Big Mama Thornton, Lonnie Johnson, Big Walter, otis Rush, Otis Spann, blues brother Matt "Guitar" Murphy (as exciting as he is today) and others (with 1969 bonus footage of legends Magic Sam and Earl Hooker) in your living room.
Watch closely Sonny Boy's virtuoso "Bye Bye Bird," "Mojo" with Sonny Boy and Muddy, a five-harp jam with Big Mama, John Lee, Big Walter, J. B. Lenoir and Dr. Ross, and the magic of Lightnin' Hopkins doing "Mojo Hand" and laying out enough hot guitar licks in one song to fuel a rocker's whole career.
Hip-O has released a highlights CD but these two DVDs must be seen to believe. These are the performances that American audiences have never seen since they were filmed but which inspired the Rolling Stones, John Mayall, Ten Years After, Yardbirds, Animals, Van Morrison, Ten Years After and so many of the British blues-rockers.
This was no small event. These artists played the finest concert halls of Europe, stayed in the best hotels, and ate in the best restaurants finding a deep respect they never lived to see in America. Their performances show it. Some didn't want to leave. Sonny Boy Williamson stayed on for over a year after the 1963 festival appearing in clubs and on numerous TV shows and recording with the Yardbirds, Animals, Jimmy Page, jazzman Chris Barber and even Rahsaan Roland Kirk.
As talent scout Willie Dixon said, "The blues are the roots; the rest are the fruits." These are the roots and the British Invasion were only the first blossoming of the fruits. Miss these DVDs at your own risk.
Bill Donoghue AKA 'fessor Mojo,The American Folk Blues Festival 1962-1966, Vol. 1 (1962) OverviewReelin' In The Years Productions, in association with Experience Hendrix,bring you the American Folk Blues Festival 1962-1966 Volumes One & Two. TheAFBF was an annual event that featured the cream of American blues musicians barnstorming their way across western Europe every fall from 1962through 1966. Recorded live in a small TV studio in Germany, these historicand unseen performances have been lost for nearly 40 years. Filmed withsuperb camera work and pristine sound, each DVD contains 18 completeperformances from the greatest blues musicians of all time. Captured duringtheir heyday in an era of scant video documentation, these DVDs are trulyone of the most unique and precious visual documents of the blues.The American Folk Blues Festivals featured a dazzling array of talent thatincluded such greats as Muddy Waters, Howlin' Wolf, Willie Dixon, John LeeHooker and Sonny Boy Williamson playing alongside other legends such asT-Bone Walker, Lightnin' Hopkins, Mississippi Fred McDowell, Memphis Slim and Big Mama Thornton to create the most significant group of blues artistsever assembled!

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Jimi Hendrix: Live at Monterey (2007) Review

Jimi Hendrix: Live at Monterey (2007)
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Jimi Hendrix: Live at Monterey (2007) ReviewJimi Hendrix's closing set at the Monterey Pop Festival (following the Who's destruction of their own instruments) was only 40 minutes long - but what an impressive 40 minutes! Will anyone who has seen the footage of him burning his guitar on stage (shown on the cover of this DVD) every forget that image?
This reasonably priced DVD from Experience Hendrix (managed by Jimi's sister Janie) contains those 40 minutes and so much more. Guitar aficionados will appreciate the option to see different camera angles (my DVD player shows the angle image throughout so it wasn't important to me). Archivist types will enjoy the inclusion of the earliest existing footage of the Hendrix band playing in a small club in 1967. The new documentary "American Landing" has some fascinating interviews with those involved and is useful in explaining Hendrix's popularity to the next generation of fans.
Another bonus which I found as a "hidden gem" is "Music Love and Flowers" a nice mini documentary on the Monterey Pop Festival itself. Sure the complete festival is out there on video on D.A. Pennebaker's film, but this short extra gives the background and contains new interviews with Lou Adler and John Phillips who basically organized it. This makes this package of interest even to fringe Hendrix fans.
If Jimi was alive now he'd be eligible for Medicare this week! Can he have been gone so long and died so young (27!)?
If this isn't in every Hendrix collector's DVD collection, I don't know why not.
Steve Ramm
"Anything Phonographic"
Jimi Hendrix: Live at Monterey (2007) Overview

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Cream - Royal Albert Hall - London May 2-3-5-6 2005 (2005) Review

Cream - Royal Albert Hall - London May 2-3-5-6 2005 (2005)
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Cream - Royal Albert Hall - London May 2-3-5-6 2005 (2005) ReviewI bought this DVD with some degree of trepidation given that most of these reunion gigs/albums whatever seldom live up to the hype Rumours have abounded about Jack Bruce's poor health and finances as well as personal emnities between the various band members but in the end I could not pass it up.
From the moment that the band walked on the stage I had a lump in my throat and from the very fist note it was clear that in the intervening years since Goodbye Cream the only thing that had changed was the degree of skill and virtuosity that each possessed had increased.
I am not churlish about the song selection given the stated number of songs that the trio had played together summed to only 35 as per Bruce including the ones that had never been played. I am sure that each of us has our own favourites that we wanted them to play and we were disappointed by their exclusion but ce la vie. I do agree with others that a gesture to the diehard fans about making available the totality of the concerts available on CD would be a good one. Especially since Eric has done it before regarding his solo performances in the same venue.
Before foccussing on the songs I must say that for me the most poignant moment can when they were performing Badge and Clapton left the section attributed to his friend George on the album silent before resuming his blistering, very heartfelt playing. If these shows are about anything it is about learning that life is too short for holding grudges and we should all be thankful of each opportunity to share our wonderful gifts with others.
Aside from the music the highlights of this two disc set lie in the camera shot of Brian May in the audience during the performance, another friend who has been a good asscoiate of Eric's in recent years and the brief interviews, alas each done separately giving us insight into the shows.
AS for the music, it is a shock to the system to see what these three old men can put out on stage just in terms of the sheer power of the trio. The band rehearsed a lot we know but the blistering improvisations remain outstanding and the Grateful Dead would be proud. The interplay between Bruce and Clapton was a joy to behold and Bruce's bass almost seemed to be alive. Ginger Baker may be getting on a bit but he can still pound the life out of the drum kit.
For me Crossroads brought tears to my eyes as did Badge, The initial chords of the blues song seemed an anachronism in an odd sort of way but Clapton has a way of giving each song another idiosyncratic feel at the heart of the blues tradition but at the same time in a very contemporary manner. His seemingly endless capacity to express his emotions in a different way in each song in such an easy manner is incredible and that was no more so in evidence in We're Going Wrong.
To me none of the songs were a disappointment even Pressed Rat and Wharthog which even seemed to belong. You almost wanted the discs to go on forever and the surprising thing is that by the end they do not seem to have been on long at all.
I thought that I had seen the pinnacle of Clapton playing at the Concert for George in the loving yet mournful rendition of While My Guitar Gently Weeps yet in these shows you found the full gamut of hurt and anguish, joy and pain, being delivered almost offhandedly by a Clapton whose own life experiences have earned him the term blues player. These three guys on the stage infront of such a mixed age audience drew us all in the to excellent playing and in effect into their own intimate relationship. The DVD selection in the fantastic sound derserves to be in every home.
Cream we salute thee. The Cream is dead. Long live the Cream.Cream - Royal Albert Hall - London May 2-3-5-6 2005 (2005) OverviewIn May of 2005 Cream returned to London's Royal Albert Hall-to the same stage where they had completed what was thought to be their final performance in 1968. It was one of the most eagerly anticipated, hard-to-get tickets in rock history. With the exception of a brief reunion set at their 1993 induction into the Rock and roll Hall of Fame, Cream had not played together in nearly four decades. This DVD documents Cream's momentous London shows. Performances from each of the four nights are featured and much more. Also included are alternate performances and interviews with Ginger Baker, Jack Bruce, and Eric Clapton. Cream formed in 1966 and disbanded in 1968. The band were a prolific and thrilling live act and toured incessantly in their short but remarkable history.Track Listings: I'm So Glad, Spoonful, Outside Woman Blues, Pressed Rat & Warthog, Sleepy Time Time, N.S.U., Badge, Politician, Sweet Wine, Rollin' & Tumblin', Stormy Monday, Deserted Cities of the Heart, Born Under a Bad Sign, We're Going Wrong, Crossroads, Sitting on Top of the World, White Room, Toad, Sunshine of Your Love, Spoonful (Alternate Takes), Sleepy Time Time (Alternate Takes), Badge (Alternate Takes), Sweet Wine (Alternate Takes), Rollin' & Tumblin', We're Going Wrong, White Room, Sunshine of Your Love

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Stormy Weather (1943) Review

Stormy Weather (1943)
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Stormy Weather (1943) ReviewVaguely based on the life of Bill "Bojangles" Robinson himself, STORMY WEATHER offers the story of a WWI vet who falls in love with a singer--and under her influence goes into show business, only to find that their careers draw them in different directions. As a story, it is pretty slim stuff... but as a collection of musical turns by some of the early 1940s best black talent, it simply can't be beat.
Robinson was, of course, one of the truly great dancers of his era. Made late in his career, this film doesn't really manage to capture the scope of his talents, but he remains a constant joy to watch. A very young and remarkably beautiful Lena Horne also offers several enjoyable songs, including one that she would go on to perform with increasing sophistocation and ultimately make entirely her own: the title tune "Stormy Weather." In addition to Calloway and Horne, STORMY WEATHER offers great performances by such under-filmed artists as Cab Calloway, Katherine Dunham, Fats Waller (performing his signature tune, "Ain't Misbehaving"), the brillant Nicholas Brothers, and Ada Brown, as well as the popular comic actor Dooley Wilson. Expect nothing from the story, but you won't be disappointed by this rare glimpse at some truly remarkable talents.Stormy Weather (1943) Overview

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