Showing posts with label 1970s. Show all posts
Showing posts with label 1970s. Show all posts

The Big Hit: Original Motion Picture Soundtrack Review

The Big Hit: Original Motion Picture Soundtrack
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The Big Hit: Original Motion Picture Soundtrack ReviewThe Big Hit is one of the funniest action comedies around. It's funny, intense, crude, and campy. Despite it's over-the-top nature, certain parts of the movie are surprisingly subtle. The soundtrack pulls off the same effect. As ethnicly eclectic as its cast, the cd sports an impressive assortment of genres. My one protest is the exclusion of "The World Is New" by Save Ferris, which is one of the best songs in the movie. It's quite an interesting album, it turned me on to a whole spectrum of genres which I had never explored. A signifigant companion to the movie.The Big Hit: Original Motion Picture Soundtrack Overview

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The '70s: Original NBC Motion Picture Soundtrack Review

The '70s: Original NBC Motion Picture Soundtrack
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The '70s: Original NBC Motion Picture Soundtrack ReviewWhere are the rest of the songs that were featured on the show? Obvisiouly there are many songs missing...The three songs that I loved are not even on the CD...If you are going to have a "soundtrack" you SHOULD include ALL songs!The '70s: Original NBC Motion Picture Soundtrack Overview

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Queen Review

Queen
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Queen ReviewThe boys had officially decided to call themselves Queen (under the forceful persuasion of Freddie Mercury) by 1971, after finally choosing the bassist they wanted (John Deacon), and come 1972, they had completed and recorded most of the tracks to this album (though the album wouldn't initially be released until 1973.) Musically speaking, the unique characteristics of (70s) Queen (a/k/a "The Queen sound") that many came to know (e.g. the opera-rock, the outlandish whimsy, the strange juxtapositions of gender-bending/vaudeville/opera/metal) CAN be heard here, just in rawer, unpolished and underdeveloped terms. But other than that, the album is mostly a smorgasbord of classic heavy metal, psychedelia and progressive rock.
But, despite it being a work in progress (for Queen, anyway), the album is strong and solid on it's own. That's probably one of the most [standard] statements ever made, but for the first time, I'm tempted to apply it here. I really think if Queen were not to evolve or make another album after this, they still would have been recognized as having sophisticated musical talent - whether by critics (puh!) or by other musicians. Ironically, that's one of the few 'gifts' I noticed Queen to possess: not totally reaching their peak in a certain setting, yet what they come up with, seems to be strong in character and golden on it's own. "Keep Yourself Alive" was the 'somewhat' popular track on here, as Brian May in particular is playing some crunchy, yet sophisticated licks on his self-made guitar. I agree with some of the reviewers below who said that after listening to this (as well as the rest of the album), one gets a sense that Queen possessed a certain overwhelming, indescribable intensity and talent that was WAY ahead of it's time - and this was only their debut - an album that only gave hints of what would blossom on later efforts. Freddie Mercury (unsurprisingly) gave a wonderfully forceful vocal performance on here. "Doing All Right" was originally co-written by then vocalist Tim Staffel (Note: during that time, the band was called Smile, not Queen.) Anyway, the song progresses nicely from soft, wistful guitar passage-filled verses, which feature ethereal and angelic falsettos from Freddie Mercury, leading into the chorus' featuring summery vocal harmonies, which are then later followed by unexpected guitar blasts from Brian May.
Elsewhere, "Great King Rat" opens up with Brian May's trademark snaky guitar overdubs. The track features some pretty bold and daring lyrics (which were not uncommon with Queen) revolving around [explicit] metaphors, while "My Fairy King" gives subtle glimpses of the bizarreness that would be found in progressive rock tracks such as "The March Of The Black Queen," and later "Bohemian Rhapsody." Features some pretty bizarre, and arty lyrics, which feature many references to astrology and mythology, and delivered in Freddie Mercury's trademark seductive, gender-bending, Divaesque vocals.
"Liar" seems to get much praise by many of the reviewers here, and it's hard for me to disagree. A theatrical, almost operatic track, it manages to combine convincing, thought-provoking lyrics, intelligent dynamics and shifting in musical atmospherics, and Freddie Mercury in particular is raving it up on his vocals - shifting effortlessly from plaintive stylings, to genre-bending, oversexed moans, to forceful, passionate pleading and everything else, which I found highly impressive. There's also a section in the middle which features some exotic percussion, vocal chants and other atmospherics which seem utterly spiritual. Moving along to "Modern Times Rock N' Roll." This to me reminds me not of Led Zeppelin, but of some of the music that was labeled as proto-punk back in the 70s. In fact, to bring some attention to the former, I really don't think Queen has much in common with Led Zeppelin as many others seem to claim (I was particularly offended and infuriated by comments made by some of those half-witted critics for the Rolling Stone regarding Queen.) The many years I've been listening to Queen, I was never once reminded of Zeppelin. I would encourage many other reviewers not to buy too much into those comparisons, as to compare one band to the other is like comparing apples and oranges. "Son & Daughter" has a sinister glam-metal feel to it, especially in the slow, seductive heavy blasts from Brian's guitar, fronted by Freddie's venomous vocals. "Jesus" is the religious-infused closer to the album, which features some clomping chords from Brian (mostly minor chords), while Freddie gives a passionate vocal performance full of conviction. The track also sounds like it could have come from a Broadway musical. "Seven Seas Of Rhye" is a short, instrumental and somewhat alternate version of the full track found on the following album _Queen II_. The bonus cut called "Mad The Swine" is a keeper. I'm surprised this didn't make the original cut. A percussion-heavy track which also features some religious lyrics.
An excellent, prestigious and often overlooked debut. It's probably not best recommended for the uninitiated Queen fan to start out with, but for the Queen fan who owns a few of their albums (especially their more essential ones), and has interest in experiencing the roots of the band. Conversely, it's also recommended for the listener who appreciates quality rock music, added with some bizarre and sophisticated elements.Queen Overview

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Gimme Some Truth - The Making of John Lennon's "Imagine" Review

Gimme Some Truth - The Making of John Lennon's Imagine
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Gimme Some Truth - The Making of John Lennon's "Imagine" ReviewAs with almost every archival Beatles-related release, this is another product that tries to straddle the line of being for the collector and the casual fan both (leaving neither really happy with the end result). Once again they have erred on the favor of the casual fan, who will not be the one buying the majority of this release. Capitol/EMI never seem to learn from the great bootlegs how to compile really good releases.
If you have Imagine (the videos film), and Imagine (the documentary film), and Yoko Ono Then and Now, and the John Lennon videos collection, then you already have more of THIS video than you SHOULD have. The NEW stuff in this video is GREAT! Where is the rest of it? I could have gone for way more recording scenes, this hardly shows George playing, no King Curtis, no Badfinger. Just enough to tease us, then back to more recycled footage. Obviously these people filmed everything they did almost all the time, so why do we have to keep seeing the same scenes over and over again in each (NEW?) product. I am all for putting things in context, but the old stuff makes the basis for this dvd, not the new stuff. Just enough is left out of each product that you have to buy all of them, but once you have them it's pretty redundant. Of course the casual fan is not going to care because they will only see one of the versions, but for the rest of us this is getting really old. They also took the cheap way out and left in all the dust, hairs, scratches, and streaks in the video too, rather than cleaning it up like Yellow Sub. And, unlike Yellow Sub, the 5.1 soundtrack is not that big of a deal musically, and not that sonically different from the cd remaster.
The extra interview is nice, since they went out of their way to make that complete. I just wish as much thought would have gone into the main feature. Do you need this? Yes. If it's the only Lennon video you have, you'll probably be pretty happy, and it's much better than the videos version Imagine. If you have all the others, you still need this because there is just enough new to re-sell you the old again.Gimme Some Truth - The Making of John Lennon's "Imagine" OverviewGIMME SOME TRUTH:MAKING OF IMAGINE - DVD Movie

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Jimi Hendrix: Blue Wild Angel - Live at the Isle of Wight (1971) Review

Jimi Hendrix: Blue Wild Angel - Live at the Isle of Wight (1971)
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Jimi Hendrix: Blue Wild Angel - Live at the Isle of Wight (1971) ReviewAs far as film accounts of Jimi Hendrix go, this is absoluetly the best from every conceivable perspective. Camera work is terrific: none of the poor lighting that mars Berkley or Band of Gypsies, none of the dental examination that comprises all but a few minutes of Woodstock. The opening sequences are informative. Mitch Mitchell and Billy Cox give a very solid account of how truly beyond pop stars they had become by that point, heading towards a jazz-blues fusion that only Miles Davis and John McLaughlin would be able to assume with any respectability.
It is very clear from backstage chatter thru the comments of his tour manager and band mates that Hendrix was not keen on performing at this concert and had begun to feel that he was, in fact, beyond rock and its infantile approach to artists. That said, he had enormous respect for the people who had paid money to see him and so tore into this concert with enormous brio. His fingerwork is among his most dazzling. The camera crew captures three men feeding off each other with visual ques that also point to how sober, clean and focused Jimi was by this time. He and Mitchell were as in sync with each other as Coltrane and Elvin Jones. Cox has been unfairly glossed over in music and this film and soundtrack illustrate that he was the best bass player for the best guitarist of all time.
If you are a fan, pick this up. If you are curious, I'd suggest this as theplace to start. Many thanks to the Hendrix family for releasing an incendiary performance. In a matter of weeks, Jimi would be dead. You'd never guess it from here: one listen to Voodoo Chile would convince you.
I might also add that this DVD is far superior to the CD, whose sequencing made no sense and gives the listener the impression that Hendrix wants to get out as soon as possible. For the future: stick with Jimi's sequencing. He knew what he was about, and this DVD proves it.Jimi Hendrix: Blue Wild Angel - Live at the Isle of Wight (1971) Overview1 Isle Of Wight Document... 2 Band Introduction 3 Band Introduction 4 God Save The Queen 5 God Save The Queen 6 Sgt. Pepper's Lonely H... 7 Sgt. Pepper's Lonely H... 8 Spanish Castle Magic 9 Spanish Castle Magic 10 All Along The Watchtow... 11 All Along The Watchtow... 12 Machine Gun 13 Machine Gun 14 Lover Man 15 Lover Man 16 Freedom 17 Freedom 18 Red House 19 Red House 20 Dolly Dagger 21 Dolly Dagger 22 Foxey Lady 23 Foxey Lady 24 Message To Love 25 Message To Love 26 Ezy Ryder 27 Ezy Ryder 28 Purple Haze 29 Purple Haze 30 Voodoo Child (Slight R... 31 Voodoo Child (Slight R... 32 In From The Storm 33 In From The Storm 34 Closing Credits 35 Closing Credits 36 Spanish Castle Magic 37 Spanish Castle Magic 38 Machine Gun 39 Machine Gun 40 Red House 41 Red House 42 Foxey Lady 43 Foxey Lady 44 Behind The Scenes - In... 45 Behind The Scenes - In... 46 Behind The Scenes - In... 47 Isle Of Wight DVD Disc... 48 Murray Lerner Filmogra... 49 Isle Of Wight Memorabi

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Beatles' Biggest Secrets (2004) Review

Beatles' Biggest Secrets (2004)
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Beatles' Biggest Secrets (2004) ReviewThis is NOT a well-rounded documentary as claimed, but it fills a niche in the ever-expanding library of Beatles material. It focuses on the "dark" side of the Beatles story, leaving out the joy, generosity and, most of all, the music. But no doubt most of it is true, and it has its place in balancing the bigger picture.Beatles' Biggest Secrets (2004) Overview

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Soundstage Presents Chicago - Live in Concert (2004) Review

Soundstage Presents Chicago - Live in Concert (2004)
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Soundstage Presents Chicago - Live in Concert (2004) ReviewAs noted in other reviews, this DVD, which features a live performance of the supergroup Chicago that aired on PBS, is recommended highly over their other live DVD, "Live by Request" which was shown on A&E. The less-than-excellent sound and visual editing on the A&E disc has been corrected on the Soundstage production and makes this DVD a worthy document of one of the great rock bands of all time. The vocals are tight and well mixed and the horns, those all-time great horns, sound fat and up front in the mix. The video editing is crisp and professional. The selection of songs finds a nice, if not usual, set of hits, blending ballads and rockers that display this group's eclectic abilities. Highlights include a blazing version of "I'm a Man" from the band's very first album, "Chicago Transit Authority". In this rendition, they've added a horn part to this tune-that-has-no-horns and the group simply, cooks. "Free" is another upbeat rocker that is given excellent treatment in this set. Original founding member Robert Lamm is especially good on this DVD, with pop evergreens, "Beginnings" and "Saturday in the Park" sounding as fresh as if they were written yesterday, not 30 or more years ago. This DVD, "Soundstage Presents Chicago-Live in Concert" is highly recommended for all Chicago fans and all fans of popular music. Nice work, Chicago!!Soundstage Presents Chicago - Live in Concert (2004) Overview

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Lynyrd Skynyrd - Freebird The Movie / Tribute Tour (1996) Review

Lynyrd Skynyrd - Freebird The Movie / Tribute Tour (1996)
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Lynyrd Skynyrd - Freebird The Movie / Tribute Tour (1996) ReviewWow, this DVD is incredible and a gift from the Heavens. How can anyone complain about this. People like Perbes from Spain and Kevin from Missouri need to shut their mouth about audio quality this, video quality that. Listen, if you are sitting on anything better we can watch of the original Skynyrd, then by all means start whining. But last time I checked, this release contains probably the best video and audio of the Ronnie fronted band around. So that makes me happy to see. Lastly, the video is from 1976, 28 years ago. If you're a true fan, you take what you can get, and leave the bitching to the losers with the $10,000 TV's and Audio systems who can't get this in 16:9 picture ratio and 5.1 dolby surround sound! Long Live Skynyrd.Lynyrd Skynyrd - Freebird The Movie / Tribute Tour (1996) Overview

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Abba - In Concert 1979 Review

Abba - In Concert 1979
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Abba - In Concert 1979 ReviewHey, fellow ABBA fans, let's relax a little bit! You're being WAY too hard on this DVD. Remember it's a 25 year old DOCUMENTARY, not a concert, and it was shot by a network that didn't religiously archive the footage because nobody at the time expected people 25 years later to care! There's plenty of full length numbers, and they rip! Having been lucky enough to have seen ABBA at the Music Hall in Boston during this tour (as did most of Aerosmith, the Cars and the J. Giels Band down in the front rows), I'm delighted now to own this DVD because it proves a point I've long tried to make to my sceptical friends. ABBA WERE UNDENIABLY A GREAT, GREAT LIVE ACT.
I've been professionally involved in the concert business for three decades, I've seen everyone pretty much, and though my personal tastes run more towards The Beatles, The Cramps and Garbage, I rank ABBA as one of the best live bands I've EVER seen on a stage. The vocals were spot on, the band rocked and were very tight, the energy level was through the roof. The group, especially Frida and Agnetha, were very lively, generous and vivacious with the audience, and the songs were just great. Frankly, it was an incredible, indescribable rush to see them live, especially if you'd waited five years for it.
For ages ABBA have been a guilty pleasure for those of us supposedly hip rockers, but unless you're a frigid snob you'll have to admit upon viewing this show that ABBA weren't a corny plastic disco machine - they absolutely delivered the goods. A totally legitimate act with nothing to apologize for. What's also great is that ABBA were based not just on unforgettable hook-laden songs and astounding voices, but there was a genuinely warm and mature sexuality exuding from that stage. Agnetha and Frida were women, not little girls. There bodies may not have been perfect (J-LO fans, you'll see a startling similarity between she and Agnetha in a certain way) but their talent and their sensuality knocks Britney's lip synced teasing schoolgirl trip right off the stage. ABBA actually sang every note live, mistakes and all - what a concept.
As to the extras, "Thank You For The Music" is probably my least favorite ABBA song, but on this disc Agnetha is just incredible, she nails it. Frida was the darker, more european side of things, handling more mature themes, and my fave, but if God ever put a more attractive woman on a stage than Agnetha in this film, I've never seen her. As to the sound complaints, if you run the disc through a good amplifier and speaker system there's no problem, if not some of the bottom is admittedly missing. But on the plus side the clarity of the vocals is astonishing, and within the instrumentation lots of little surprises I'd never heard.
Visually it's incredible - you can count eyelashes and pores, and the color is rich and true. So c'mon - lighten up everyone - a very well directed documentary, a very well edited piece of history at a pretty low price. It's a great disc of a truly brilliant band. Let's be happy for a very nice little gift to us all.Abba - In Concert 1979 OverviewItem Name: Abba - In Concert 1979; Studio:Polydor / Umgd

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Classic Albums: John Lennon - Plastic Ono Band (2008) Review

Classic Albums: John Lennon - Plastic Ono Band (2008)
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Classic Albums: John Lennon - Plastic Ono Band (2008) ReviewThe 'Classic Albums' series document the making of seminal pop albums
(Paul Simon's 'Graceland', Bob Marley's 'Catch a Fire', Fleetwood
Mac's 'Rumours', to name but a few of the previous releases) through
interviews with participants and associates and the playing of master
tapes (more on that later). This new 52' feature documents the making
of John Lennon's first 'proper' (i.e. accessible to the public at
large) studio album, 'John Lennon/Plastic Ono Band', recorded in the
fall of 1970 and released in December of that year.
Although light on the rare video side of things - there appears to be
no available footage of the sessions, so the producers have collected
little-seen (but previously circulating) clips of John attending the
Alexandra Palace psychedelic event in London (29 April 1967) and
sequences from the BBC '24 Hour' documentary (shown on 15 December
1969) -, the real treat for Beatles videos collectors are
previously-unseen excerpts of John and Yoko's appearance on
'Parkinson' (17 July 1971) which, to my knowledge, haven't been seen
since the original transmission. Other clips from that show have been
included in various programmes over the years, notably 'Imagine'
(1972) and 'Imagine, John Lennon' (1988) but the ones on this DVD are
different.
We also get new interviews with people involved in the making of the
album (Yoko Ono, Ringo Starr, Klaus Vormann, engineers Phil McDonald
and John Leckie), music critics (Jann Wenner, who interviewed Lennon
at length in December 1970 for 'Rolling Stone,' and Richard Williams),
the man responsible for inspiring the album (Dr. Arthur Janov,
proponent of the primal scream theory, whose seminar John and Yoko had
attended in the summer of 1970), Beatle historian Mark Lewisohn
(author of the superb 'The Beatles' Recording Sessions' and 'The
Complete Beatles Chronicles'), as well as Elliot Mintz, who was not
involved with the album at all. My impression is that the latter's
inclusion is due to the fact that he appears to be groomed, as Yoko's
PR man, to take over as guardian of John's legacy the day she passes
away. Here's someone else who'll be ready on day one...
But the main drawing point of this DVD, and what makes it in my
opinion an essential addition to any Lennon fan's collection, is the
playing of the original multitrack tapes at Abbey Road by the
engineers who worked on the album. As they isolate various tracks, we
get to hear John's spine-chilling voice on its own or the various
instruments on the - very spare - backing tracks (which usually
consisted simply of John on guitar or piano, Ringo on drums and Klaus
on bass).
We also get shots of various EMI Tape boxes, indicating the precise
recording dates of various songs on the album. Up until now, the only
known session date for a particular song was 9 October 1970, John's
30th birthday, when he recorded 'Remember'. Here are the dates we now
have:
26 Sep 1970: 'Mother' (take 61 -- possibly an in-joke, as this was the
first day of recording), 'Working Class Hero' (takes 1-9)
27 Sep 1970: 'God' (takes 1-2 of an alternate, acoustic guitar-based
version), 'Well Well Well' (takes 3-4)
30 Sep 1970: 'Hold On' (takes 1-6)
7 Oct 1970: 'Look at Me' (take 1), 'God' (takes 1-8 of a remake, still
guitar-based)
9 Oct 1970: 'Remember' (takes 1-4)
17 Oct 1970: 'Mother' (possibly a vocal overdub session)
24 Oct 1970: 'Mother' (another possible vocal overdub session)
There is another session sheet, but the date is cropped out in the
documentary. On that unspecified date (probably late September), they
recorded 'Isolation' (takes 24-29) and 'Well Well Well' (takes 5-6 of
a remake).
In addition to the 52' documentary, there's 35' of bonus
footage. On many DVDs, this is filled with boring stuff
considered not good enough to be included in the main feature. Here,
though, it's simply more great isolation mixes, two clips from John's
1972 concert at Madison Square Garden ('Well Well Well' and 'Mother'),
and the 'holding up signs' version of 'Instant Karma!' (broadcast on
'Top of the Pops' on 19 February 1970) in pristine quality.
* Spoiler alert! Don't read any further if you want to be
surprised by the musical contents of this DVD! *
The multitracks played are:
- a mostly complete 'Remember' (with some stop-and-starts and a recent
clip of Klaus playing the bass line at home) and an earlier (fun,
faster) take, which was partially released on 'John Lennon Anthology'
in 1998. This multitrack mixdown starts earlier, though.
- isolated tracks of 'Well Well Well', 'Working Class Hero', 'God'
(the released version and an alternate, acoustic guitar-based take),
'Mother', 'Isolation', 'Love.'
Bamiyan
Beatles on DVDClassic Albums: John Lennon - Plastic Ono Band (2008) Overview

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Roger Hodgson: Take the Long Way Home - Live in Montreal (2007) Review

Roger Hodgson: Take the Long Way Home - Live in Montreal (2007)
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Roger Hodgson: Take the Long Way Home - Live in Montreal (2007) ReviewI've recently seen Roger Hodgson singing at the "Concert for Diana" in July and it was terrible. Partly he sang off-key: "The Logical Song" turned into "The Horrible Song". In fact I was very sad to see that this singer finally has reached the age when the voice doesn't always sound as you wanna have it.
BUT:
It seems that Roger Hodgson just had a very, very, very bad day at the "Concert for Diana". Because the show on this DVD is ABSOLUTELY FANTASTIC. His voice as you know it for years, no singing off-key, an audience singing along and giving him standing ovations after almost each song. Plus a Roger Hodgson full of energy + in high spirits. Plus excellent picture quality + superb audio quality.
Some movies are so-called "Feel-Good-Movies". And I call this concert a "Feel-Good-Concert". It's perfect. When I've finished watching it just a few minutes ago, I felt so happy although the weather outside was cold and rainy. A typical day to feel blue, but this DVD has saved my day.
And I think, it's a show to see and hear over and over again.
For all Roger Hodgson and Supertramp fans: THIS DVD IS A MUST!!!Roger Hodgson: Take the Long Way Home - Live in Montreal (2007) Overview

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The Lords of Flatbush (1974) Review

The Lords of Flatbush (1974)
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The Lords of Flatbush (1974) Review"The Lord's Of Flatbush" was made on a budget of less than $100,000 prior to any of its stars becoming household names. Derivative of other similar and better movies it has still managed to garner a strong cult following in the years since its release. Technically crude, the film has a grainy quality and some scenes are very badly lit; most of the movie seems fuzzy and unfocused. Speech suffers the worst as it is very soft and distant in different spots throughout the film. That's too bad because the filmmakers display a good use of color and the period detail and flavor are among the best of its kind. But that's not what keeps this movie from achieving all it could have - the main culprit here is the story, what little there is.
Circa 1957, in the Flatbush section of Brooklyn, New York where four high school seniors are the self-styled members of a group calling themselves The Lord's Of Flatbush. Stanley, their self-proclaimed leader, Butchey, Chico and Wimpy hassle girls on their way into school, disrupt classrooms, steal cars, stay out all night...in general they behave recklessly and typically disrespectful. Stanley gets a wakeup call when his girlfriend announces to him she's pregnant. He tries to avoid 'doing the right thing', preferring to continue to display the image he's long played out. Chico spends all his time trying to have his way with the new blond girl in class, Jane. She's too smart and well-bred for him to con though and this irritates and eats away at him. Butchey gets called a schmuck by Eddie the proprietor of the Lord's local hangout - not because he's a fool Eddie says but because he's got brains and he could be something if he wanted to be. Wimpy continues to feel the need to prove himself 'a man' because he's so much shorter than everyone around him. The characters come full circle by the end of the movie at Stanley's & Frannie's wedding having each had to face up to their own immaturity and are now ready to move on with life after high school.
That's it in a nutshell. There really isn't much happening onscreen as far as a story goes. Another weakness is that the transitions between scenes aren't very smooth; the episodic and choppy storyline is the reason why. Still, you can clearly see the movie building up to the point where the four main characters each realize that the 'wiseguy' persona they display aren't going to get them very far in life. Stanley (played by Sylvester Stallone) finally agrees to marry Frannie; even after he discovers she's not really pregnant he still determines to marry her because he thinks his life will be a dead end if he doesn't. After Chico (Perry King) gets over the shock and anger of being rejected by Jane (Susan Blakely) he moves on as well, wanting to forget the whole episode even happened. Butchey (Henry Winkler) silently dreams of going to college but still isn't comfortable sharing that thought with anyone yet; or it could be that his pals have known all along - the film leaves that up to you to decide. Wimpy doesn't really progress much but without the presence of his three Lord's members playing out their roles around him he'll have to make it on his own and in his own way.
There are a few other problems I had with this film besides the main one I mentioned. How is it that King's character Chico can afford a top of the line Harley Davidson motorcycle? It isn't established at all but I got the sense his mother bought it for him - there is the ever so slightest hint she may be 'comfortably well-off'. Also too much time is spent spotlighting Chico, a tired stereotypical teen whose sole aim in life is to make out. Speaking of 'teens' all of the actors here are clearly too old for their roles; most of them are ten years older than the characters they play (kind of like TV's "Happy Days" in that respect!). Stallone too obviously patterned much of his characterization on roles played by Marlon Brando early in his career. His character's name is Stanley (Brando's character name in 'A Streetcar Named Desire' is Stanley Kowalski), he raises pigeons on the rooftop of his tenement dwelling (Brando's character Terry Malloy does so too in 'On The Waterfront'), etc. Stallone's no Brando but he is likable here nonetheless. Winkler's character Butchey appears with the rest of the gang in the scenes at the opening credits but then disappears for nearly the next thirty minutes and gets precious little time after that. He's quite good here as a 'Fonzie' wannabe - no one needs an introduction to television and "Happy Days" legendary character 'Fonzie'. He made this movie in the year preceding initial production for that TV series; his work here probably helped him win the part. Also the film lacks any genuine humor; most of the scenes meant to make us laugh have been played out before in other movies, it just isn't fresh. The film's best joke: Frannie confides to Annie her embarrassment of having to tell the priest about her impending pregnancy. Annie responds to her "So what. Why do you think they call the church 'Our Lady Of A Thousand Sorrows'?"
Still, the positives of "The Lord's Of Flatbush" are what continue to make it's fans come to it's defense in numbers. The directors have captured the look and feel of late 50's Brooklyn fantastically - especially considering the minimal budget they worked with. And without a doubt what has kept this movie in circulation is the presence of a handful of future stars. Stallone would go on to world-wide fame with both the series of 'Rocky' films and later on the series of 'Rambo' films. Likewise, Winkler went on to fame and fortune as 'Fonzie' as was already mentioned; he's quite busy as a producer of both television and movies as well these days. King has gained a respectable reputation appearing as a star or supporting player in such cult hits as "Andy Warhol's Bad", "Slaughterhouse Five", "The Possession Of Joel Delaney" and "Class Of '84". Blakely gained a huge public following after her appearance in the smash hit, trendsetting TV mini-series 'Rich Man, Poor Man'. I think what also helps this movie is that it came out on the heels of the success of 'American Graffiti' and at the tail end of the first season broadcast of "Happy Days". It already had a market to tap into and the film has remained in the thoughts of those who saw it then - most of its defenders seem to be from this general time frame.
The DVD is a limited package containing only the usual theatrical trailer, talent files and a couple of teasers for the movies 'Bugsy' and 'La Bamba'. An introduction to the film by the directors or a remembrance of the time spent making the picture by some of the actors involved would have helped. It would give the film an extra punch that is sorely lacking. I'm sure Columbia did the best job they could with the transfer; the original source couldn't have been better than what we're given here.The Lords of Flatbush (1974) OverviewLORDS OF FLATBUSH - DVD Movie

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Even More Dazed And Confused (1993 Film Dazed And Confused) Review

Even More Dazed And Confused (1993 Film Dazed And Confused)
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Even More Dazed And Confused (1993 Film Dazed And Confused) ReviewI'm also a bit "miffed" (and that's the clean version!) to say the least that another classic track isn't on the album. Aerosmith's 'Sweet Emotion' is a painful loss, I agree with "music fan" who mentioned the same. It was a hell of an opening song and really set the mood. And the main characters were going to buy tickets to an Aerosmith concert at the end, so it's an obvious omission. Oh well...cool album anyway!!Even More Dazed And Confused (1993 Film Dazed And Confused) Overview

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Woodstock - 3 Days of Peace & Music (The Director's Cut) (1970) Review

Woodstock - 3 Days of Peace and Music (The Director's Cut) (1970)
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Woodstock - 3 Days of Peace & Music (The Director's Cut) (1970) ReviewWoodstock, the 40th Anniversary Ultimate Collector's Edition is an wonderful box but far from perfect. If you have the 1994 Director's Cut you already have the meat of this box set. The extra songs are great (really!) but only worth paying for if you're itching for any new footage. Of course, if you don't already have a version of the Woodstock concert on DVD, then by all means get this box. The extra DVD contains three songs from the Creedence Clearwater Revival set which is fantastic to finally see (along with extra songs from another dozen groups). And PLEASE buy if from Amazon as they include their own exclusive DVD with a few very rare songs (limited time). The Life magazine reprint is fun but I would have preferred they replaced most of the "stuff" with another DVD. My personal peeve is the absence of Melanie. Even it you get this box set, it will still be worth the money to buy the 2 DVD set of +Jimi Hendrix: Live at Woodstock+ and (if you still have a VHS player that works) its also worth seeking out the VHS tape from 1991 titled, +Woodstock: The Lost Performances+ which contains a hour of songs that are not in the new box set. The extra songs in the new box set are not integrated into the Movie, so you will have to change DVD's to see all the songs of a particular group. Perhaps when the 50th Anniversary rolls around we will finally get a box that puts all the performance footage together as it ought to be. If not, maybe we can have our Cryogenically frozen heads defrosted in time for the 100th Anniversary (don't count on it). Oh, as to the complaints of others about the songs being "corrected", just ignore them, the sound is great.Woodstock - 3 Days of Peace & Music (The Director's Cut) (1970) Overview3 days. 3-million people. And memories to last a lifetime.Year: 1970Director:Michael WadleighStarring: Jimi Hendrix, Richie Havens, The Who, Crosby, Stills & Nash, much more

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Breakfast in America Review

Breakfast in America
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Breakfast in America ReviewSupertramp practically *owned* 1979 with their mega-smash album from that year, "Breakfast In America." The British band had been making creative, irresistible pop/jazz/rock for nine years & five albums by this time, but "Breakfast," the sixth album, was The Big One for the group, a #1 smash on the album charts all over the world. Though certainly not a "concept" album, the theme for "Breakfast In America" came from bandleaders Roger Hodgson & Rick Davies, who, for this album, wanted to write songs about what it was like to be a British person living in the USA, which is what the whole band were doing by this time. Credit Hodgson & Davies for writing such wonderful songs, such as the hits "The Logical Song," "Goodbye Stranger," and "Take The Long Way Home." But even the non-hits are shimmering beauties, such as "Gone Hollywood," "Oh Darling" (not to be confused with the Beatles tune), "Lord Is It Mine," and the exuberant finale, "Child Of Vision," all played to perfection by Hodgson, Davies (who both do great vocal work as well), sax player John Halliwell, bassist Dougie Thomson, and drummer Bob Siebenberg. This new remastered edition of "Breakfast In America" sounds sensational, with greater boom & clarity than any CD version of "Breakfast" that I'd ever heard before (including the now-defunct gold disc version from Mobile Fidelity). Now you can enjoy Supertramp's all-time classic the way it was meant to be heard. Pick it up, and enjoy this delicious breakfast as only Supertramp can serve it. :-)Breakfast in America OverviewJapanese only SHM-CD (Super High Material CD - playable on all CD players) pressing packaged in a paper sleeve. Universal. 2008.--This text refers to an alternate Audio CD edition.

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Tommy (1975) Review

Tommy (1975)
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Tommy (1975) ReviewAs the five-star rating would indicate, I've loved TOMMY sincethe day it opened (and yes, I was there for its premiere). I've alsopurchased the movie in just about every incarnation that have been released: videotape, laserdisc, and now DVD.
What's most exciting about the DVD version -- and something which doesn't seem to have been mentioned in other Amazon reviews -- is that the soundtrack to the film has been completely restored. "Quintaphonic sound" may sound a little silly and may not even mean much in this age of digital sound, but TOMMY was the movie that saw the rebirth of multi-channel audio (most films of the late 60s and early 70s were either mono or 2-channel stereo). The enhanced 5-channel discrete sound was a perfect extension of Ken Russell's audacious visuals. The tag line to the movie was "Your senses will never be the same," and it perfectly described both the visual AND aural assault on audience members.
Well, this DVD is the first (and only) format to feature the complete "Quintaphonic" soundtrack. If you have a Dolby Digital decoder, you're going to hear the movie in a way that wasn't even possible back in 1975! All of the vocals are locked dead center while the score itself blasts out of the remaining four speakers. And there's absolutely no distortion, even when you jack the volume up (which you should, since it was intended to be heard that way). It's a wonderful - and quite unexpected - thrill to hear the movie this way. Previous editions had absolutely terrible audio tracks that were poorly mixed down from the originals. The result -- even on the laserdisc -- was a muddy mess. Not so with this DVD edition, which includes a written essay insert explaining the soundtrack's restoration.
The picture quality is also outstanding. One key moment: during the blackout section of "Fiddle About" the screen is absolutely dark -- not a speck can be seen, proof that this film was carefully transferred from a pristine source print!
This is an incredible film presented on an incredible DVD. If your home system isn't yet able to decode the Dolby Digital soundtrack, do yourself a favor and get a decoder at the same time you buy this disc. You won't be sorry.
I'd warn the neighbors first, though!Tommy (1975) OverviewFilm version of the successful rock opera about a boy who witnesses the murder of his father by his mother and her lover. He becomes deaf, dumb and blind, and as he grows, he is taken to various experts for cures.Genre: MusicalsRating: PGRelease Date: 25-MAY-2004Media Type: DVD

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Born to Run Review

Born to Run
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Born to Run ReviewBruce Springsteen has said that when he set out to record this album, he was going to make "the greatest rock and roll record ever." Well, maybe he came up short, but if so, only by a hair. "Born To Run" is nearly flawless from beginning to end; each song tells its own distinct story, yet all are wonderfully woven around the album's central theme, which is also the title of the record.
Over a quarter century after the release of "Born To Run," we may have come to take this album for granted, forgetting the incredible rush it gave us the first thousand times we heard it. Make no mistake - this is one of the best rock albums ever recorded. From the lyrics to the melodies to the production, The Boss held nothing back. This recording provides evidence that Springsteen works as hard in the studio as he does on stage.
Each track is now, after all these years, immediately recognizable - the opening harmonica strains of "Thunder Road," the symphonic piano introduction to "Jungleland," the organ that kicks off "Backstreets," and, of course, the explosion of sound that is the title track.
The production here is obviously influenced by Phil Spector, the legendary inventor of the Wall of Sound. Lyrically, Springsteen evokes memories of early Dylan. (Listen to the song "Backstreets." I've always felt this song was Springsteen's nod of acknowledgment to Bob, with the feel of the song closely resembling that of "Like A Rolling Stone.") The vocals are reminiscent of Roy Orbison, but with more of an edgy sound. The final product is a masterpiece, and should take its place alongside the best of Dylan, The Stones, The Beatles, and Hendrix when the history of Rock and Roll is written.
"Born To Run" immediately catapulted Springsteen into the mainstream of American Rock. Thankfully, he was never inclined to rest on his critical laurels. He has consistently created great music for over 25 years.
I can't imagine anyone not owning this recording.Born to Run Overview

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