Showing posts with label john lennon. Show all posts
Showing posts with label john lennon. Show all posts

The Electric Mist Review

The Electric Mist
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The Electric Mist ReviewI give the beats five stars but, oh dear God, the autotune on the vocals gets a one for a combined three stars.
It;s a shame because without the autotune this album would be awesome. As it stands I'll pass.
(P.S. Dear Metaform, shoot the producer who greenlighted the autotune.)
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Gimme Some Truth - The Making of John Lennon's "Imagine" Review

Gimme Some Truth - The Making of John Lennon's Imagine
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Gimme Some Truth - The Making of John Lennon's "Imagine" ReviewAs with almost every archival Beatles-related release, this is another product that tries to straddle the line of being for the collector and the casual fan both (leaving neither really happy with the end result). Once again they have erred on the favor of the casual fan, who will not be the one buying the majority of this release. Capitol/EMI never seem to learn from the great bootlegs how to compile really good releases.
If you have Imagine (the videos film), and Imagine (the documentary film), and Yoko Ono Then and Now, and the John Lennon videos collection, then you already have more of THIS video than you SHOULD have. The NEW stuff in this video is GREAT! Where is the rest of it? I could have gone for way more recording scenes, this hardly shows George playing, no King Curtis, no Badfinger. Just enough to tease us, then back to more recycled footage. Obviously these people filmed everything they did almost all the time, so why do we have to keep seeing the same scenes over and over again in each (NEW?) product. I am all for putting things in context, but the old stuff makes the basis for this dvd, not the new stuff. Just enough is left out of each product that you have to buy all of them, but once you have them it's pretty redundant. Of course the casual fan is not going to care because they will only see one of the versions, but for the rest of us this is getting really old. They also took the cheap way out and left in all the dust, hairs, scratches, and streaks in the video too, rather than cleaning it up like Yellow Sub. And, unlike Yellow Sub, the 5.1 soundtrack is not that big of a deal musically, and not that sonically different from the cd remaster.
The extra interview is nice, since they went out of their way to make that complete. I just wish as much thought would have gone into the main feature. Do you need this? Yes. If it's the only Lennon video you have, you'll probably be pretty happy, and it's much better than the videos version Imagine. If you have all the others, you still need this because there is just enough new to re-sell you the old again.Gimme Some Truth - The Making of John Lennon's "Imagine" OverviewGIMME SOME TRUTH:MAKING OF IMAGINE - DVD Movie

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Composing The Beatles Songbook: Lennon and McCartney 1957-1965 (1965) Review

Composing The Beatles Songbook: Lennon and McCartney 1957-1965 (1965)
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Composing The Beatles Songbook: Lennon and McCartney 1957-1965 (1965) ReviewMusic documentaries don't get much better than this, especially if you are a fan of The Beatles. What could be better than a variety of music experts and friends of the band analyzing one of the greatest pop songwriting duos of all time?
This focuses on the formative years of the partnership that culminated in the landmark release of Rubber Soul. The film explores the early working relationship of Lennon and McCartney, which was mostly collaborative. They enhanced each other's work to a greater degree than in later years when they along with the other Beatles became like solo artists with a backing band.
The release of Hard Day's Night marked a significant change in the relationship. "Can't Buy Me Love," the first single, was clearly a McCartney song, just as "Hard Day's Night" was a distinctly Lennon song. Instead of the two singing together, for the first time each sang separately with double-tracked vocals. It was just the beginning of a divide that would grow in time.
The analysis of their personalities as well as the evolution of their songwriting skills is what makes this so fascinating. Temperament and different backgrounds, along with varied influences were all factors that shaped their songwriting.
Bob Dylan turned out to be one of the monumental influences, especially to Lennon. After the release of The Freewheelin' Bob Dylan, The Beatles began to change musically and lyrically. One small sign was Lennon's use of the harmonica on "I Should Have Known Better" and his use of the harmonica-holder, which Dylan had popularized.
Dylan propelled The Beatles to more serious songwriting. Here was a man that was eloquently sharing his life experiences in song. It may have inspired Lennon to write "In My Life," one of The Beatles' most beautiful songs. Dylan's influence led to songs like "I'm A Loser" and "Nowhere Man" that were somewhat confessional and showed a darker side of Lennon's life. He shocked people in 1970 by revealing that the song "Help" was autobiographical. Lennon's discreet writing of a sexual encounter on "Norwegian Wood (This Bird has Flown)" may be another Dylan influence.

Though they had shared influences, McCartney's development was different. One of the surprising things is just how many songs he gave away that became huge hits for other artists. Some songs didn't quite fit The Beatles mode. His gift for melody was obvious, and unlike Lennon, who had a more narrow musical background, he had a greater range of music to draw from. His early exposure to Tin Pan Alley, jazz and show tunes provided him with the inspiration to perform songs like "Till There Was You" and "A Taste of Honey." This would lead to "Yesterday," a modern classic, and "Michelle." Both songs had broad appeal and gave The Beatles greater respectability.
After the release of Rubber Soul, which some critics regard as the band's finest collaborative album, the divide between Lennon and McCartney continued to grow in more ways than one. They would both continue to be innovators, but they would not work together as closely as they once had. This is where the analysis ends.
There are plenty of rare photos and digitally enhanced performance clips, which look and sound fantastic. It's worth having for this alone, but the interviews are excellent and often include analysis of specific songs. Like any great performance, you are left wanting more. If you are a Beatles's fan, you can only hope for more installments.
Composing The Beatles Songbook: Lennon and McCartney 1957-1965 (1965) Overview

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Composing The Beatles Songbook: Lennon and McCartney 1966-1970 (2008) Review

Composing The Beatles Songbook: Lennon and McCartney 1966-1970 (2008)
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Composing The Beatles Songbook: Lennon and McCartney 1966-1970 (2008) ReviewI was truly impressed by this review of the Beatles music, feeling the impact of their music to this day. Had to laugh at some of the comments of these experts on occasion, though, as some of the songs were just plain simple songs that were written on the sly, with no real intent to have all of these multiple meanings.
Still, it was refreshing to hear these insiders look at the songs from their vantage. If you want an intellectual lift on your favorite Beatles music, I highly recommend this informative DVD.Composing The Beatles Songbook: Lennon and McCartney 1966-1970 (2008) Overview

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Nowhere Boy Review

Nowhere Boy
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Nowhere Boy ReviewOn January 7, 2010, I arrived home from work to see that my import CD from the UK had arrived. It was the soundtrack to the UK movie "Nowhere Boy". This movie has not been released in New York or anywhere else in the USA. I've read about this movie on the internet which caught my interest, since I'm a John Lennon/Beatles listener and fan. This soundtrack gives us a clear understanding as to what The early Beatles were listening to and most influenced by. This soundtrack consists of many incredible Rock & Roll Gems by many Rock & Roll legends including Jerry Lee Lewis, Chuck Berry, Elvis Presley and many more. It also included the cast of the movie which calls themselved The Nowhere Boys. The songs that truly stand out on this soundtrack is "In Spite of All the Danger" by The Nowhere Boys(The Cast). This song is well done, and even has single potential! It would probably do very well in the UK charts! Another surprise on the soundtrack is an outtake of "Mother" by John Lennon. This is a raw version that I've never heard before.(I would bet that Yoko has a lot more in store for us in the future). This track shows John Lennon's stripped down version that he was working on with Ringo. It's like listening to Beethoven in the process of writing a symphony). I truly hope that this movie and soundtrack is released in the USA. In the meantime, the UK soundtrack is available here on Amazon for your listening pleasure! - Dean WienNowhere Boy Overview

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Paul McCartney Really Is Dead: The Last Testament of George Harrison (2010) Review

Paul McCartney Really Is Dead: The Last Testament of George Harrison (2010)
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Paul McCartney Really Is Dead: The Last Testament of George Harrison (2010) ReviewThis is horrible. They could have made an interesting Paul Is Dead film with all the old clues, but they didn't even get the simpliest facts straight. They say Paul dies in 1966. They then say the Beatles put clues in their songs. Some awful samples: The say they recorded the album "Yesterday and Today" (which was never an album they recorded, but left over tracks) after he died. On that album they claim that John wrote Yesterday for Paul. "Yesterday" was released in 1965 on the Help LP. They even played it in concert in 1966, before the date they claim that Paul died. The Rubber Soul album was recorded before the 1966 date that they say Paul died, but they cite clues in the songs and on the cover. The have the fake George Harrison voice say that John and Paul wrote "Only a Northern Song". George himself wrote it and sang it. They claim that Heather Mills was the girl in the car with Paul when he died (marrying him after Linda died on a bribe to reveal the truth) That was 1966. She was born in 1968. if she was an adult in 1966, she would be almost Paul's age now. Not even close. There are many more instances of simple facts they could have gotten right, and it would have been an interesting piece of fiction, instead of a horrible joke. Really shoddy fact checking on a band whose facts are easy to find.Paul McCartney Really Is Dead: The Last Testament of George Harrison (2010) Overview

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Classic Albums: John Lennon - Plastic Ono Band (2008) Review

Classic Albums: John Lennon - Plastic Ono Band (2008)
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Classic Albums: John Lennon - Plastic Ono Band (2008) ReviewThe 'Classic Albums' series document the making of seminal pop albums
(Paul Simon's 'Graceland', Bob Marley's 'Catch a Fire', Fleetwood
Mac's 'Rumours', to name but a few of the previous releases) through
interviews with participants and associates and the playing of master
tapes (more on that later). This new 52' feature documents the making
of John Lennon's first 'proper' (i.e. accessible to the public at
large) studio album, 'John Lennon/Plastic Ono Band', recorded in the
fall of 1970 and released in December of that year.
Although light on the rare video side of things - there appears to be
no available footage of the sessions, so the producers have collected
little-seen (but previously circulating) clips of John attending the
Alexandra Palace psychedelic event in London (29 April 1967) and
sequences from the BBC '24 Hour' documentary (shown on 15 December
1969) -, the real treat for Beatles videos collectors are
previously-unseen excerpts of John and Yoko's appearance on
'Parkinson' (17 July 1971) which, to my knowledge, haven't been seen
since the original transmission. Other clips from that show have been
included in various programmes over the years, notably 'Imagine'
(1972) and 'Imagine, John Lennon' (1988) but the ones on this DVD are
different.
We also get new interviews with people involved in the making of the
album (Yoko Ono, Ringo Starr, Klaus Vormann, engineers Phil McDonald
and John Leckie), music critics (Jann Wenner, who interviewed Lennon
at length in December 1970 for 'Rolling Stone,' and Richard Williams),
the man responsible for inspiring the album (Dr. Arthur Janov,
proponent of the primal scream theory, whose seminar John and Yoko had
attended in the summer of 1970), Beatle historian Mark Lewisohn
(author of the superb 'The Beatles' Recording Sessions' and 'The
Complete Beatles Chronicles'), as well as Elliot Mintz, who was not
involved with the album at all. My impression is that the latter's
inclusion is due to the fact that he appears to be groomed, as Yoko's
PR man, to take over as guardian of John's legacy the day she passes
away. Here's someone else who'll be ready on day one...
But the main drawing point of this DVD, and what makes it in my
opinion an essential addition to any Lennon fan's collection, is the
playing of the original multitrack tapes at Abbey Road by the
engineers who worked on the album. As they isolate various tracks, we
get to hear John's spine-chilling voice on its own or the various
instruments on the - very spare - backing tracks (which usually
consisted simply of John on guitar or piano, Ringo on drums and Klaus
on bass).
We also get shots of various EMI Tape boxes, indicating the precise
recording dates of various songs on the album. Up until now, the only
known session date for a particular song was 9 October 1970, John's
30th birthday, when he recorded 'Remember'. Here are the dates we now
have:
26 Sep 1970: 'Mother' (take 61 -- possibly an in-joke, as this was the
first day of recording), 'Working Class Hero' (takes 1-9)
27 Sep 1970: 'God' (takes 1-2 of an alternate, acoustic guitar-based
version), 'Well Well Well' (takes 3-4)
30 Sep 1970: 'Hold On' (takes 1-6)
7 Oct 1970: 'Look at Me' (take 1), 'God' (takes 1-8 of a remake, still
guitar-based)
9 Oct 1970: 'Remember' (takes 1-4)
17 Oct 1970: 'Mother' (possibly a vocal overdub session)
24 Oct 1970: 'Mother' (another possible vocal overdub session)
There is another session sheet, but the date is cropped out in the
documentary. On that unspecified date (probably late September), they
recorded 'Isolation' (takes 24-29) and 'Well Well Well' (takes 5-6 of
a remake).
In addition to the 52' documentary, there's 35' of bonus
footage. On many DVDs, this is filled with boring stuff
considered not good enough to be included in the main feature. Here,
though, it's simply more great isolation mixes, two clips from John's
1972 concert at Madison Square Garden ('Well Well Well' and 'Mother'),
and the 'holding up signs' version of 'Instant Karma!' (broadcast on
'Top of the Pops' on 19 February 1970) in pristine quality.
* Spoiler alert! Don't read any further if you want to be
surprised by the musical contents of this DVD! *
The multitracks played are:
- a mostly complete 'Remember' (with some stop-and-starts and a recent
clip of Klaus playing the bass line at home) and an earlier (fun,
faster) take, which was partially released on 'John Lennon Anthology'
in 1998. This multitrack mixdown starts earlier, though.
- isolated tracks of 'Well Well Well', 'Working Class Hero', 'God'
(the released version and an alternate, acoustic guitar-based take),
'Mother', 'Isolation', 'Love.'
Bamiyan
Beatles on DVDClassic Albums: John Lennon - Plastic Ono Band (2008) Overview

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Lennon NYC (2010) Review

Lennon NYC (2010)
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Lennon NYC (2010) ReviewOf all the important musicians in the last century, it's pretty easy to see that John Lennon stands out for his influence on music, pop culture, and society in general. Lennon himself - his music and activism - along with their effects on the world, have been well documented in countless short and feature-length documentaries. Now American Masters - "an ongoing series of award-winning primetime specials examining the lives, works, and creative processes of our most outstanding cultural artists" - takes on the subject of John Lennon and his time in New York City. The series has featured Andy Warhol, Charlie Chaplin, and Paul Simon, among others.
This Lennon profile is special in that it's not a documentary about his entire life, but as the title suggests, focuses on his time in New York City with Yoko Ono, using numerous interviews with friends and bandmates along with never before-released in-studio recordings of Lennon. This is a documentary that assumes you already know quite a bit about Lennon and know why his time in New York is important and then goes on to both explain why this is true and give you a behind the scenes look at his life at this time. Without glossing over any of the rough patches (including the hiatus John and Yoko took and his subsequent time in Los Angeles), writer and director Michael Epstein gives audiences a true portrait of the legendary musician and activist as seen through the eyes of those around him (including Yoko Ono) and captured in in-studio recording sessions.
The film is thoroughly engaging, though not always structurally clear. Epstein begins with the story of Lennon as an immigrant, looking to make New York City his home though the United States government (the Nixon administration to be more specific) is seeking to get him deported for his various activist causes. This is an intriguing theme, and we're privy to many of those around him discussing being followed and the FBI keeping records on them, but this storyline builds quickly and then goes on the backburner for over an hour before reappearing briefly at the very end. It's an incredible part of Lennon's story and well presented, but Epstein plays up Lennon's immigration status so much in the opening that I always felt like I was waiting for that piece of the story to come back into play. The best parts of the film are the clips of Lennon in the studio and those around him discussing his studio style. Listening to Lennon in the studio is even more fascinating than you might suspect.
The portion of the film (near the end) that deals with John's time after mending ties with Yoko, the birth of his son Sean, and the work on his last album is especially touching. As with any Lennon documentary, the ending left me wishing that there was a documentary about some alternate universe where Lennon was still alive so that the ending didn't have to be so sad.Lennon NYC (2010) OverviewLENNONYC is the story of one of the most famous and influential artists of the Twentieth Century, and how he found redemption not in the public adoration he craved as a youth, but in the quiet and simple pleasures of fatherhood. And, though he wasn't a typical immigrant, his story is certainly an immigrant's tale. Lennon came to New York City in 1971, seeking what every other immigrant who has washed up on its shores has sought: freedom-the freedom to be himself and not 'Beatle John,' the freedom to love without the overwhelming public scorn he and Yoko had suffered in London, and, simply, the freedom to live a normal life. LENNONYC tells this story with never before-released in-studio recordings, concert film only recently transferred to HD, and a trove of Lennon/Ono compositions-some in versions previously unheard. It also contains interviews with those closest to Lennon during this period in his life-friend and photographer, Bob Gruen; musical collaborator and drummer, Jim Keltner; May Pang, Lennon's companion during his 'lost weekend;'rock superstar, Elton John; and Jack Douglas, the producer of Double Fantasy. LENNONYC also contains one of the most powerful and emotionally direct interviews Yoko Ono has ever given. No film about John Lennon has ever covered this story with the same breadth and depth as LENNONYC. As the public turns its attention to what would have been Lennon's 70th birthday and the 30th anniversary of his murder LENNONYC uniquely commemorates the life of one of the most important and influential artists of the Twentieth Century-someone whose life and work is as powerful and relevant today as it has ever been

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