Nature's Journey Review

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Nature's Journey ReviewThe best creative works inspire more creative works - and that's just what this does. I found the images and music to create a great atmosphere to which I can write, read, and either focus on a task or be inspired to create something new.
Definitely worth checking out. And I hope they make another one!Nature's Journey Overview

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Enigma - MCMXC a. D. - The Complete Album DVD (2003) Review

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Enigma - MCMXC a. D. - The Complete Album DVD (2003) ReviewEnigma has been in the forefront of electronic music since their stunning debut in 1990 with the album MCMXC a.D. What most of us here in the States didn't know is that they also released this video a year later. Now for the first time, Enigma's American audience can finally experience this masterpiece.
This DVD is basically the entire 41-minute album as you hear it on the CD with an array of visuals to accompany it. Lots of the footage you've probably seen in the official music videos for the album's four singles (Sadeness, Principles of Lust, Mea Culpa, Rivers of Belief). Some scenes may look a bit cliche nowadays, but putting yourself back in 1990, you can see Michael Cretu's vision. The scenes include landscapes, monks, knights in armor, and trippy illusions.
The DVD fortunately includes Dolby Digital 5.1 and DTS. This makes songs like "Sadeness", "Callas Went Away" and "Mea Culpa" sound absolutely powerful and breathtaking. Also included is an interview with Michael Cretu from 1996, mostly dealing with the album Enigma 3- Le Roi Est Mort, Vive Le Roi.
All in all, this is an absolute must-have for ANY Enigma fan. It's a chance to hear a classic album as never before!Enigma - MCMXC a. D. - The Complete Album DVD (2003) OverviewLongform Film: The Voice of Enigma, Principles ofLust/Sadeness/Find Love/Sadeness, Callas Went Away, Mea Culpa, The Voice & TheSnake, Knocking on forbidden Doors, Back To The Rivers of Belief/Way ToEternity/Hallelujah/The River of Belief + Full-Length Videos: Sadeness, Mea Culpa, Principles of Lust, The River of Belief,EPK: Enigma II, Enigma 96/97

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Passengers: Original Soundtracks 1 Review

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Passengers: Original Soundtracks 1 ReviewI've owned this album for over 8 years and I continually come back to it as my favorite U2 album. I find the individual songs and the album as a complete experience grow on me with each listening. When I first listened to it I enjoyed a few songs but now I can appreciate the entire album.
I enjoy all of U2's other albums but this one really moves me more than any of the others. Its music is more cerebral and experimental than the rest. Want to hear Brian Eno singing, Bono playing the piano, Edge singing and playing the organ, and Adam Clayton narrating? Then you want this album. I can understand not issuing this album as a "U2" album. If they had released it just like an ordinary album then many U2 fans would have been angry/confused by what they heard.
I like to think of U2 as an artistic band, especially as a counter balance to their popular face. I'm sure Eno had a strong influence over this album but I'm also confident that U2's members contributed a great deal of material. This album combined with the DVD "Classic Albums - U2: The Joshua Tree" gives you a very different picture of U2 than might come across while listening to their pop corpus. More than any of their B-Sides, this album is major departure from what one would expect from U2.
All that said, many people that like U2 would probably dislike this album, however if you own all their other albums you should really add this one to your collection.Passengers: Original Soundtracks 1 OverviewPASSENGERS Original Soundtracks 1 (1995 UK 14-track CD album - a collaborative side project including the hit single Miss Sarajevo featuring Brian Eno U2 and Pavarotti picture sleeve CID8043)

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Eno, Brian - 1971-1977: The Man Who Fell To Earth (2011) Review

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Eno, Brian - 1971-1977: The Man Who Fell To Earth (2011) ReviewThis disc contains, in order of quantity:
- endless blathering by music critics and "social commentators," (who, with the exception of Eric Tamm, are irritating and too often incorrect)
- playback of Eno's commonly available studio recordings with unexplained (and frequently inexplicable) video clips
- portentious narration that provides the few laugh moments in the film
- a few interesting interviews with musicians who've worked with Eno (particulary Hans Joachim Roedelius)
- a few staggeringly bad interviews with musicians who've worked with Eno (particularly Lloyd Watson)
- a SMALL AMOUNT of Eno footage from the 1970s, some clips of which are repeated close to a dozen times
This disc does not contain, in any quantity:
- Interviews with Eno (save for about 30 seconds of him talking about Roxy Music)
- Interviews with any of his collaborators (save for a very brief clip with Jon Hassell)
- Music you haven't heard before
- Video you haven't seen before
- Information you didn't know before (except for the stuff that's wrong)
- Experts you want to hear from
Sometimes unauthorized documentaries are incisive portraits of difficult people who didn't want the truth told about themselves. Sometimes they are simply half-assed jobs suffering from a lack of access to the subject. This is the latter.
Eno, Brian - 1971-1977: The Man Who Fell To Earth (2011) Overview

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Twin Peaks (Season One TV Soundtrack) Review

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Twin Peaks (Season One TV Soundtrack) Review"My (musical) world is a little bit dark. . . a little bit off-center. I think of it as tragically beautiful. That is how I would describe what I love best: tragically beautiful." Angelo Badalamenti
Today's working hypothesis is no composer was ever more important to the success of a television show than Angelo Badalamenti was for his work on the David Lynch televison cult hit "Twin Peaks" (1990-91).
The criteria here is not just coming up with a memorable instrumental theme song (in which case we just pick Lalo Schifrin for "Mission Impossible"), but the scoring of various episodes over the course of several seasons. By that standard what is the competition? Jan Hammer's work on "Miami Vice" got a lot of publicity, but when you think of the soundtrack for that show you are just as likely to think of Glenn Frey's "Smuggler's Blues" and Phil Collins' "In the Air Tonight" as you are the show's theme song or other incidental music. For me the close second would be w.g. snuffy walden's work on "thirtysomething," but that superb work (especially "second look") never received the publicity that Badalamenti did with "Twin Peaks" (Population 51,201).
Besides the memorable main theme you have the haunting "Laura Palmer's Theme" and the quirky little "Dance of the Dream Man." The former was used in different variations to different effects throughout the series, eloquently underscoring the twists and turns in the search for her killer. Even when David Lynch writes some lyrics for Julee Cruise to sing, the mood produced by the music never changed. It is amazing to me how you could always be aware of what Badalamenti was doing while watching "Twin Peaks," yet the music never becomes intrusive or overwhelming. Instead it is a perfect compliment to the story and pictures. And remember:
That gum you like, it's coming back in style...Twin Peaks (Season One TV Soundtrack) Overview

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