Showing posts with label brian eno. Show all posts
Showing posts with label brian eno. Show all posts

Bono: Big Daddy (2009) Review

Bono: Big Daddy (2009)
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Bono: Big Daddy (2009) ReviewA warning to anyone who is considering purchasing this DVD: "Bono: Big Daddy" is nothing more than a repackaged and retitled version of a previous documentary called "Bono: God's Favorite Son". The two programs are otherwise identical. This is a typical unauthorized bio. Because Bono and U2 were not involved, there is no U2 music. While the description on the sleeve promises interviews with the "friends and family members who know him best", as far as I know, none of the journalists, radio DJs and record producers featured in this program are related to Bono by blood, marriage or otherwise. Whether any of them would be considered among Bono's closest friends is debatable. Some of the interviews are mildly interesting, but if you're expecting members of Bono's inner circle to reveal his deepest darkest secrets, you will be disappointed. All in all, this might be a fairly entertaining rental, but it's certainly not worth the retail price.Bono: Big Daddy (2009) Overview

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Passengers: Original Soundtracks 1 Review

Passengers: Original Soundtracks 1
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Passengers: Original Soundtracks 1 ReviewI've owned this album for over 8 years and I continually come back to it as my favorite U2 album. I find the individual songs and the album as a complete experience grow on me with each listening. When I first listened to it I enjoyed a few songs but now I can appreciate the entire album.
I enjoy all of U2's other albums but this one really moves me more than any of the others. Its music is more cerebral and experimental than the rest. Want to hear Brian Eno singing, Bono playing the piano, Edge singing and playing the organ, and Adam Clayton narrating? Then you want this album. I can understand not issuing this album as a "U2" album. If they had released it just like an ordinary album then many U2 fans would have been angry/confused by what they heard.
I like to think of U2 as an artistic band, especially as a counter balance to their popular face. I'm sure Eno had a strong influence over this album but I'm also confident that U2's members contributed a great deal of material. This album combined with the DVD "Classic Albums - U2: The Joshua Tree" gives you a very different picture of U2 than might come across while listening to their pop corpus. More than any of their B-Sides, this album is major departure from what one would expect from U2.
All that said, many people that like U2 would probably dislike this album, however if you own all their other albums you should really add this one to your collection.Passengers: Original Soundtracks 1 OverviewPASSENGERS Original Soundtracks 1 (1995 UK 14-track CD album - a collaborative side project including the hit single Miss Sarajevo featuring Brian Eno U2 and Pavarotti picture sleeve CID8043)

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More Than This: The Story of Roxy Music (2009) Review

More Than This: The Story of Roxy Music (2009)
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More Than This: The Story of Roxy Music (2009) ReviewThis is not a very good documentary and I agree mostly with Mr. Rubbo's review. I have trouble putting in words how disappointed I am with this disc. It's too short. Also, too many talking heads who have little to nothing to do with the band. Bono? Why? Simon Le Bon is unexcusable and insulting. Please don't take your hatred of DuranDuran out on Roxy Music! Roxy was very image conscious, but they could also play killer music. Bad interviewing techniques and bad editing are the ruination of the film. What is missing from this documentary is an analyses of that music. Discussions of the lyrical content is slim. "No one was writing lyrics like that...," comments one the talking heads. Begs the question what lyrics? The only real attempt is a disscussion of in "Every Dream Home...," which leaves me wanting for more. Ferry appears "inarticulate" in this film because the filmmakers did not give him enough time or good questions to work with. The hint at "what could have been" is a bonus clip where Ferry is actually given a good question, about his vocal style, and answers it in a sweet and sincere way. He mentions listening to Otis Redding and just singing until he found his own style. Unfortunately, they end it there. Surely, there were other influences, definitely Lou Reed (listen the song "Casanova" and especially the word "heroin"). But THEY DO NOT TALK ANYMORE ABOUT THE BAND'S INFLUENCES! Why is the vocals clip not in the body of the film? MAKE BRYAN FERRY TALK! He's singer/songwriter not an improv artist.
This goes for the rest of band. Andy MacKay and Phil Manzanera, in particular, are cursed by little time and bad interviewing. The few seconds of Mackay and Manzanera actually playing are good, but again, MORE! For example, how did Manzanera and MacKay's songwriting collaborations with Ferry work? What was the inspiration behind Manzanera's earthshattering solo on "Amazona? When did MacKay fell it was best to play oboe on one song, but saxophone on others? The documentary's chief sin is nearly skipping over the album "Siren." Yes,they flash the album cover and mention "Love Is A Drug," and the producer says, "We knew that was going to be a hit." For the 50th time, WHY? No mention that this song is one of the defining lyrical themes of the band: that romance is addictive and transitory. One night your with someone, the next night another, but it's just a buzz. It doesn't last. Ferry was able to sing about such subjects without self-pity or self-absorption and the band throbbed in time like a lovesick heart.
The reason I give this disc 2 stars is that I found the still photographs intriguing, although they never explain when the photographs were taken. My personal favorite is a black and white 70s era photograph with a beautiful woman sitting on Ferry's lap. Who is this woman? Also, I am only of those Roxy fans who enjoys the reunion tours that the band has done recently and the 2006 Dock Rock performances are brilliant. Roxy Music was never a "youthful band," they always sounded experienced and mature with their dexterity and ability to play together. Ferry was always sounded like a mature, man of the world even when he was 26. "I tried but I could not find the way/Looking back, all I did was look away" from (Remake/Remodel first track on the first album) and the chain of advice at the end of "Editions of You" especially "Old money's better than new/And don't let this happen to you." Ferry is a born performer, soulful, warm, funny and whips up everyone in his path. Manzanera and MacKay are still amazing especially on solos. What a rush! Why doesn't this documentary talk about Roxy as a live act? How did Ferry develop all those amazing hand gestures?
In the end, this disc is only for Roxy Addicts like myself. If you want to introduce someone to Roxy Music or show Roxy haters the errors of their ways, DO NOT show them this documentary. It gives a false image of the band. Saying that Roxy influenced DuranDuran and others who cared more about looks than singing, playing, and songwriting is a lot like holding The Who responsible for "Godspell." If you want to introduce someone to Roxy, play the Music in any format you have and let them decide for themselves. Maybe, "Siren" or "Stranded" for starters and go from there. Either that or play the youtube videos of the original BBCTV performance of "Virginia Plain" or the 1976 Stockholm concert footage of "The Thrill of It All." Such performances and others can be found on "The Thrill Of It All" DVD, which I recommend over this disc any day.More Than This: The Story of Roxy Music (2009) Overview

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Eno, Brian - 1971-1977: The Man Who Fell To Earth (2011) Review

Eno, Brian - 1971-1977: The Man Who Fell To Earth (2011)
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Eno, Brian - 1971-1977: The Man Who Fell To Earth (2011) ReviewThis disc contains, in order of quantity:
- endless blathering by music critics and "social commentators," (who, with the exception of Eric Tamm, are irritating and too often incorrect)
- playback of Eno's commonly available studio recordings with unexplained (and frequently inexplicable) video clips
- portentious narration that provides the few laugh moments in the film
- a few interesting interviews with musicians who've worked with Eno (particulary Hans Joachim Roedelius)
- a few staggeringly bad interviews with musicians who've worked with Eno (particularly Lloyd Watson)
- a SMALL AMOUNT of Eno footage from the 1970s, some clips of which are repeated close to a dozen times
This disc does not contain, in any quantity:
- Interviews with Eno (save for about 30 seconds of him talking about Roxy Music)
- Interviews with any of his collaborators (save for a very brief clip with Jon Hassell)
- Music you haven't heard before
- Video you haven't seen before
- Information you didn't know before (except for the stuff that's wrong)
- Experts you want to hear from
Sometimes unauthorized documentaries are incisive portraits of difficult people who didn't want the truth told about themselves. Sometimes they are simply half-assed jobs suffering from a lack of access to the subject. This is the latter.
Eno, Brian - 1971-1977: The Man Who Fell To Earth (2011) Overview

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