Showing posts with label concerts. Show all posts
Showing posts with label concerts. Show all posts

Grindcore: 85 Minutes of Brutal Heavy Metal Review

Grindcore: 85 Minutes of Brutal Heavy Metal
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Grindcore: 85 Minutes of Brutal Heavy Metal ReviewGrindcore: 85 Minutes of Brutal Heavy Metal (director unknown, date unknown [early 90s?], DVD release 2003)
I've been having an argument on and off with an associate of mine for over a decade as to whether Godflesh were a grindcore band or not. Well, I finally have the proof I need, in the form of an old Hard 'n Heavy video magazine that found its way to a DVD release in 2003. While it focuses on bands that were more "classic" grindcore (Napalm Death and the like), there's Justin Broadrick belting out "Christbait Rising".
As has been said before, if you're looking for an introduction to or a history of the genre, this is not the release for you; this was made for existing fans of the genre during (or just before) its heyday. Preaching to the choir, as it were, and as a result it probably has more value now than it did back then on nostalgia alone. If you were there, you want to pick this one up. ***
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Live Facelift (1991) Review

Live Facelift  (1991)
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Live Facelift (1991) ReviewAs of 2002, in the wake of Jerry Cantrell's continuing solo career, Sean Kinney and Mike Inez's new band, Mike Starr's book, and Layne Staley's endless drug problems, it is clear that Alice in Chains is history. It's a shame, considering their music was the most personal and harrowing of the Seattle Big Four. Even worse is the fact that music "historians" will center the grunge movement around Nirvana and Pearl Jam in years to come.
That being said, there's no denying what a devastating band Alice was. Thus, this video is an absolutely essential addition to even the most casual Alice fan. The video is even more essential since the band has not launched a proper tour since 1993, and half-hearted performing and Staley?s increasingly frail singing voice highlighted their final live performances in 1996.
Live Facelift captures the band in all their glory, showing how powerful the band was in their younger days, before drug addiction put serious limitations on the band's capabilities. Staley's voice is in full force in this video, and Cantrell's guitar playing is among his most expressive.
Unfortunately the performance is far too short (the band only knocks out about 5 songs on stage, followed by 3 music videos), and the black and white provides a rather grainy quality on what is an otherwise exceptional live performance. The video also could've benefited from some backstage features, as anyone who has seen the Nona Tapes knows that behind the drug-addled music lies a band with a huge sense of humor.
All in all, Live Facelift is a must-have for Alice fans, an essential footnote in the career of a band that was probably Seattle's most unfulfilled talent.Live Facelift (1991) Overview

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Lang Lang Live in Vienna (2010) Review

Lang Lang Live in Vienna (2010)
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Lang Lang Live in Vienna (2010) ReviewVideo quality is of course fine, but for my taste too many cuts. Another director that got his training at MTV. Each take on average 3 seconds, with shorter takes in the beginning and longer takes towards the end. He learnt a bit or got tired himself. Overhead shots were not good enough but needed to spin, too. Your taste may differ.
I listened to the surround track of the concert (5.1 DTS-HD) and it is not that great, either. Little use of the side channels and the piano sounds not as full as it does on other recordings I have.
Normally, I don't watch the bonus program (here excerpts of the same pieces played in the Berghain club, but recorded in 3-D for a future release, sound is 5.0 DTS-HD), but someone had mentioned the different acoustics, so I checked it out. Low and behold, that sound is much better.
I don't think it's the acoustic of the room, but the microphones and the placement. In the concert, there are 4 microphones, 2 at the narrow end of the piano (which I believe don't do much for the sound) and 2 in front, very close to the piano, about piano high. In the club, there are 3 different microphones in front of the piano, about 3 feet apart from each other and about 15 feet away from the piano. Different audio technicians/directors too.
So this disc turns out to be an example of how different the sound can be based on who does it and how it is done (good or not so good). The Berghain guys did a better job and the bonus material sounds better than the concert.
"Jundi Li in Baden-Baden" sounds in concert just as good as Lang Lang in the club, DTS 5.1
The Verbier Festival Piano Extravaganza is much better recorded as far as surround sound is concerned.
So Lang Lang 5 stars, audio 3 starsLang Lang Live in Vienna (2010) Overview

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Deep Purple: Phoenix Rising (2011) Review

Deep Purple: Phoenix Rising  (2011)
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Deep Purple: Phoenix Rising (2011) ReviewWhen I heard about this DVD being readied for release, I couldn't wait for a chance to see what was going to be culled from the archives. As I did not opt for the CD/DVD combo package(I already have both the Japan and Long Beach gigs on disc), I simply ordered the sole DVD. The additional booklet that was included was a nice touch and although some of the footage has already been made available(via History, Hits and Highlights 68-76), I still find the finished product as a satisfying addition to the Mach IV story. Despite the fact that only Jon Lord and Glenn Hughes are featured for the present day recollection of this time period, they are very insightful within their contributions on the impact of Tommy Bolin's presence within the band at that particular time.
There is a bit too much rambling from Hughes about his cocaine addiction towards the middle of the disc, but it does offer basic reasons why the IV lineup was so short lived. There is an interesting anecdote to their trip to Jakarta that I wasn't aware of, and how sinister of a twist that happened to them in losing one of their bodyguards, on top of having difficulty leaving the country itself; pretty spooky stuff there!! I agree that the Rises Over Japan footage is certainly not one of Tommy's better moments, but the remastering of the performance is well done, nonetheless. I enjoy the track by track dissection of Come Taste the Band in the special features section of the disc as it gives more insight into the overall process of recording that album. For serious Purple fans, like myself, this a must have to add to the collection. And its certainly of interest to fans of Tommy Bolin as well. 4 starsDeep Purple: Phoenix Rising (2011) Overview

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Simply Red - Home (Live in Sicily) Review

Simply Red - Home (Live in Sicily)
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Simply Red - Home (Live in Sicily) ReviewWatch the short interview with frontman Mick Hucknall's brief introduction to his latest live and career direction before you start on the show. You can easily relate comfortness and confidence to the established singer who hasn't lost the originality of his credit for the band yet still going creative from one album to another.
HOME LIVE IN SICILY is all about relax, be honest and offer the audience a great night to remember how the band had written so many beautiful songs in 2 decades to enchant the life of any ordinary people.
The opening track SOMEDAY IN MY LIFE is an Italian rendering of the original version, appropriately dedicated to the full, passionate Sicilian crowd. Dressed casually in a simple white short sleeved shirt with jeans may he had, Hucknall never slipped by any number of songs casually in the entire show. The Stylistic's YOU MAKE ME FEEL BRAND NEW is Hucknall's serious singing with energetic vocal power. Nonstop uptempo session of FAKE, THRILL ME to SOMETHING GOT ME STARTED reminds us the New Romantic band has still got what it takes to groove up the dance floor. At the end, FAIRGROUND and SUNRISE left the seemingly solemn audience in front seats all shake and twist themselves with anticipation to the funky live jazz music.
The bonus feature of this DVD is that it provides users 2 choices of viewing angle on the entire run of the concert, on condition than one's player is equipped with the angle function. Users can swop between the multi angle and the upfront angle on Hucknall (called Mick Cam here) any moment throughout the show.
For the fans who discovered Simply Red in early 90's till late, this DVD is fulfilling and worth collecting indeed.Simply Red - Home (Live in Sicily) Overview

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Festival Express Review

Festival Express
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Festival Express ReviewFolks, I can only say...it sure brings tears to my eyes to see
these people again, the ones that are gone. Richard Manuel singing "I shall be released", Rick Danko jamming with Jerry Garcia "no more cane", and especially seeing Pigpen blowing harp
during "new speedway boogie", and the shots of Janis singing two
great tunes "cry to me" and "tell mama". I guess I'm getting nostalgic in my old age, but these musicians meant a lot to me when I was young, providing the soundtrack to a lot of my youthful escapades. The Band played the best concert I ever saw
in 1970 in Pittsburgh, just a few months after this film was shot, so they are captured here in practically the same spirit.
I went to see the Flying Burrito Brothers once in 1971, but couldn't get into the bar because my girlfriend was underage, but they are shown here as a four piece singing "lazy days", so I finally get to see them perform.
This is a wonderful film capturing a wonderful cross country music express. The only complaint - woefully short for my taste- I could take a few more hours of this.Festival Express OverviewFestival Express is a rousing record of a little-known, but monumental, moment in rock n' roll history, starring such music legends as Janis Joplin, The Band, and the Grateful Dead. Set in 1970, Festival Express was a multi-band, multi-day extravaganza that captured the spirit and imagination of a generation and a nation. What made it unique was that it was portable; for five days, the bands and performers lived, slept, rehearsed and did countless unmentionable things aboard a customized train that traveled from Toronto, to Calgary, to Winnipeg, with each stop culminating in a mega-concert. The entire experience, both off-stage and on, was filmed but the extensive footage remained locked away -- until now. A momentous achievement in rock film archeology, Festival Express combines this long-lost material with contemporary interviews nearly 35 years after it was first filmed. DVD Features:DVD ROM FeaturesTheatrical Trailer


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Queen: Rock Montreal & Live Aid (2007) Review

Queen: Rock Montreal and Live Aid  (2007)
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Queen: Rock Montreal & Live Aid (2007) ReviewThe sound quality on this release is absolutely breathtaking. I cannot believe how much resolution has been tweaked out of these 26-year-old multi-track master tapes. This is by far the best audio quality I have ever heard of a music concert of this age. The sound quality can stand next to any sound quality of today. Yes, it is that stunning!!!
Honestly, I did not expect the audio quality to be as good as the audio quality from the 2004 DVD release of 'Queen On Fire - Live From The Bowl'. But this beats it, and the audio quality on that release is breathtaking as well. I had no idea that so much punch, bass, and kick could be lifted from a concert of this time.
The DTS 5.1 mix is unbelievable! It feels like I'm taken back in time and am right there in concert watching the show. The instruments are so crisp and clean! The music is not flat and lifeless. It is full, wide, and alive! These guys rock!
The picture is beautifully restored as well. In fact, it is hard for me to imagine that this concert was recorded in 1981. It simply does not show it's age, and now I understand why Queen Productions have taken technology further yet with Blu-Ray and HD DVD issues of this release as well. The picture is magnificent! No grain, lines, or darkness whatsoever! The picture glows and shines! Is it really this old? You won't believe it!
Since I do not own the original 'We Will Rock You' DVD release from a few years back I cannot do comparisons. All I know is that this is the best-sounding and best-looking Queen DVD concert in my collection. Overall, it is simply one of the best DVD releases in my collection.
The addition of the 'Live Aid' material on the second DVD is a nice treat for those fans who do not already own the material on the previously released 2004 Live Aid (4 Disc Set) DVD box. Even if one already owns this live set an interview with rehearsal footage is exclusive to this release. Furthermore, a 1982 news feature from US TV series PM Magazine is a bonus.
Queen has never sounded and looked better! These guys were incredible! Highly recommended!
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Bette Midler: The Showgirl Must Go On (2010) Review

Bette Midler: The Showgirl Must Go On (2010)
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Bette Midler: The Showgirl Must Go On (2010) ReviewI think that it's a safe bet that anyone who might be picking up Bette Midler's "The Showgirl Must Go On" is most likely already a fan of the Divine Miss M. So what can I tell you? Showgirl is a production that ran for approximately two years at Caesars Palace in Las Vegas between 2008 and early 2010. Taped for HBO, this is the fifth special that Midler has provided for the network in her illustrious career (the first was in 1977!). Unfortunately, the HBO airing and the subsequent DVD release does not showcase the entire Vegas production. Midler's average show clocked in at about 90 minutes and the DVD release (as well as the televised HBO production) comes in at 67 minutes. Most of Midler's biggest and most expected numbers are intact with a song list that includes the following noteworthy numbers:
Big Noise from Winnetka, The Showgirl Must Go On, Friends, The Rose, Do You Wanna Dance, From a Distance, Boolya JaDa, Hello in There, Pretty Legs/Hot in Here, Boogie Woogie Bugle Boy, Wind Beneath My Wings
If you saw the show live, perhaps the most noticeable omission is the uproarious disco parody. However, wishing doesn't make things different and won't add the content back into the concert. As the creative force and producer behind the show, I'm sure Midler had a hand in the final decision making process (I suspect it came down to financial matters as it usually does, especially concerning various non-Midler covers). But if you love Midler, you'll have to decide if the 70 minute version is enough to keep you entertained. And, for most, I'm guessing the answer will be "yes."
Midler provides everything you might expect in this presentation. More mature, and more prone to breathlessness, she can still light up a stage. Here she is ably backed by a troupe of dancers called the Caesar Salad Girls (the costuming is inspired), a 13 piece band, and a back up singing group named The Harlettes. It's bawdy, brassy and quite colorful (as are all her shows) and ripe with double entendres without being overtly inappropriate to more sensitive viewers. But I will say that with Midler--what you expect is what is delivered. If you are familiar with her stage performances, nothing here is particularly revelatory. It's just a grand dame doing what she does best. An easy recommendation if you're a fan. KGHarris, 7/11.Bette Midler: The Showgirl Must Go On (2010) Overview

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