Oklahoma (1964 Studio Cast) Review

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Oklahoma (1964 Studio Cast) ReviewI liked this 1964 studio cast album of Oklahoma for what it has to offer, but it is lacking the meaning, sincerity, and lustre of all other recordings of the show that preceeded this one. John Raitt and Florence Henderson are both wonderful in their roles, just as good as those that went before them in the film and the original Broadway production. Supporting cast is ideal as well. Entirely new orchestrations have been arranged and really do a disservice to the beautiful original orchestrations in place since 1943 (I believe the 1955 movie version altered some but did not incorporate all-new orchestrations). My first impression when listening to the Overture was that it sounds more like a childrens' sing along record than one of Broadway's greatest triumphs. Sound quality and presentation are wonderful throughout. This is a worthy addition to your collection, but if Columbia/Sony really wants to make my day, they'll remaster and re-release their 1952 studio cast recording of Oklahoma, with Nelson Eddy as Curly, into their "Broadway Masterworks" series. I HIGHLY recommend that recording if you are fortunate enough to find it. I believe it is still in print.Oklahoma (1964 Studio Cast) Overview

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Flahooley (1951 Original Broadway Cast) Review

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Flahooley (1951 Original Broadway Cast) ReviewFLAHOOLEY has had a checkered career in record company catalgues. The musical was a flop that folded after 5 weeks (40 performances) in the spring of 1951. Capitol records issued the cast album on June 18th ..2 days after the show had played its final performance. With the show no longer playing, interest was minimal and the Lp was deleted in 1955. Since very few copies had been sold, collectors who wanted the score had a difficult time tracking down the album. By the early 1970s its estimated value in collectors circles was $300. Finally in 1977...22 years after the album had left the catalogues, Capitol brought it back. A mid-priced ($6.98) reissue that duplicated the original album cover. The reissue was short-lived, for beyond harcore show music collectors there was no mass market for FLAHOOLEY and the Lp was deleted again.
In 1993 EMI launched a major Cd reissue campaign called Broadway Angel transferring 40 of the Capitol cast albums to CD, including FLAHOOLEY. This time the liner notes were expanded to include a history of the show, a detailed synopsis and an interview with Barbara Cook.
The CD again was bought mainly by collectors and was deleted in 1996. You would think that after 3 go-rounds, this would have been the end of FLAHOOLEY. But Noooooooooo... now DRG has brought it back.
The score by Sammy Fain and Ey.Y Harburg has several charming numbers: "Here's to your Illusions", "The World is Your Balloon"
and "The Springtime Cometh." None of the songs became hits, and FLAHOOLEY is never revived... not even in concert format.
Don't miss out on a chance to own a copy of FLAHOOLEY before it gets deleted for the 4th and final (?) time.Flahooley (1951 Original Broadway Cast) Overview

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Les Miserables - The Dream Cast in Concert (1995) Review

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Les Miserables - The Dream Cast in Concert (1995) ReviewWords fail me when I try to describe this video. Les Miz is a glorious play, what with the genius of Boublil & Schonberg. I didn't think I would much enjoy this video because of its lack of actual set & acting and also the few short pieces cut. But it still blew me away. Best of all was the cast. It truly was the definitive edition.
Colm Wilkinson is just the perfect Valjean. His voice has such emotion & resonance to it. And he has such a strong presence as an actor.
Philip Quast was another excellent performer. I've once heard his voice described as "flinty" and I think that that's a good word for it. He really portrays Javert with such coldness, he makes the character quite vivid.
Ruthie Henshall's Fantine is one of those rare performances in musical theatre which simply cannot be surpassed. Henshall's voice is so stirring, heartbreaking, reverberating, deep, chilling, and beautiful. Her "I Dreamed a Dream" is excellent!
Michael Ball's Marius needs to introduction. He's THE Marius, what else is there to say? His voice so, so powerful and he sings with such heart. His "Empty Chairs At Empty Tables" is truly captivating.
Michael Maguire's Enjolras is often criticised. Yes, this wasn't the best performance he probably could have given and he did miss a few notes. But he still has a great voice. People argue that Anthony Warlow is a better Enjolras. While I agree that Warlow has the vocal edge, there's something in Maguire's performance that makes him so much like Enjolras and just so perfect for the part.
Judy Kuhn's Cosette was the one performance which I can say is good but not great. She didn't strike me the first time I heard her, though she has grown on me. She does have a lovely voice, but I just don't go for the whole "ringing soprano" thing. In fact, almost all Cosettes & Christines and the like in general just annoy me. I think Kuhn sounded better as Pocahontas.
Hannah Chick's little Cosette was SO adorable! She didn't miss a note during "Castle On A Cloud" which she just sang so sweetly. At the same time, she didn't seem to overact the sweetness, which I've seen all too many Cosettes do. And the way she kept singing after the stage light explosion was very professional.
And Adam Searles, gotta Love him. Similar to Maguire, I have heard Gavroches with better voices that Searles but he just has the part of Gavroche down so well. He just has the perfect street-wise, smart-aleck attitude perfectly.
I was shocked as to how many people disliked Lea Salonga's Eponine. Even more shocking was how people insisted that Frances Ruffelle was much better. I think Salonga was THE most phenomenal singer of the night. To me, Ruffelle sounds terrible! Many have called Salonga too "bitter" or "angry" but Eponine is a bitter, angry character! Salonga sings with such force, and at other times (e.g. "A Little Fall of Rain") with such sad sweetness. Her "On My Own" was so excellent that watching it is an intense experience. I could barely tear my eyes from the screen the first time I saw her sing it. I think there is no question that she's THE definitive Eponine. 'Course that's just my opinion.
All in all, this was the greatest performance of Les Miz I have ever seen!Les Miserables - The Dream Cast in Concert (1995) OverviewThe 10th anniversary of the international musical sensation Les Misérables is celebrated in this 1995 concert at London's Royal Albert Hall. The all-star cast features Colm Wilkinson (Valjean), Ruthie Henshall (Fantine), Michael Ball (Marius), Judy Kuhn (Cosette), Lea Salonga (Eponine), Philip Quast (Javert), and Alun Armstrong (Thenardier).Favorite songs from the Alain Boublil and Claude-Michel Schönberg score include "Who Am I?", "I Dreamed a Dream," "Master of the House," "One Day More," "Do You Hear the People Sing?" and "Bring Him Home."

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Urinetown (2001 Original Off-Broadway Cast) Review

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Urinetown (2001 Original Off-Broadway Cast) ReviewIt's been a long time since a show has had as memorable a score as Urinetown. Having seen the off- Broadway show twice I can say that the recording has preserved the fun and sprit of the show and performances. The cast headed by John Cullum is steller, every member is perfect and gives a standout performance. Mark Hollman and Greg Kotis must be given standing ovations for their score. You really leave the the theatre humming the score! Don't let the title turn you off - nothing is that offensive or crude -neither is the musical a one joke show overdone to death, it's a clever mix of Threepenny Opera meets The Cradle Will Rock with a generous helping of Broadway self parody thrown in for good measure. You would die with laughter if you only saw the number "Snuff that Girl" let alone the whole show. Hats off also to the orchestrator and the 5 musicians who sound like a full pit orchestra. If you get to New York after the show opens on Broadway RUN and get a ticket- but for now get the CD and start to relish a truly original, funny, tuneful, well sung and performed rare gem of a show.Urinetown (2001 Original Off-Broadway Cast) Overview

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Big River: The Adventures Of Huckleberry Finn (1985 Original Broadway Cast) Review

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Big River: The Adventures Of Huckleberry Finn (1985 Original Broadway Cast) ReviewIf you are going to be audacious enough to try and make a musical of Huckleberry Finn, then choosing Roger Miller of "King of the Road" fame to write the songs is certainly an inspired move. "Big River," the Tony Award winning musical, owes as much to Miller as it does to Mark Twain for writing the classic story in the first place. Of course when you are talking Roger Miller you are talking fun songs, from John Goodman's ripping diatribe on "Guv'ment" as Huck's Pappy and Tom Sawyer's (John Short) "Hand for the Hog" to the two songs by the King (Bob Gunton) and the Duke (Rene Auberjonois), "When the Sun Goes Down in the South" and "The Royal Nonesuch" ("She's got one big breast in the middle of her chest/And an eye in the middle of her nose/So says I, if you look her in the eye/You're better off looking up her nose"). Even when Miller offers us the tender country ballad, "You Oughta Be Here with Me," Mary Jane Wilkes (Patti Cohenour, who later went on to play Christine in "Phantom of the Opera" on Broadway) sings the song to her father's coffin. "The Crossing" is a nice spiritual, but clearly the best songs are reserved for the Huck (Daniel Jenkins) and Jim (Ron Richardson): "Muddy Water," as they shove off on a raft for Freedom, "River in the Rain" as they spend their last moments alone on the river, and "World's Apart" as the recognize the gulf that exists between them. They also do a trio with Mary Jane on "Leavin's Not the Only Way to Go." The only shortcoming of this musical comes at the end, when we get to the greatest passage in American Literature, when Huck declares he will help Jim to freedom even if it means going to hell; Miller offers a reprise of "Waitin' for the Light to Shine" rather than coming up with a new song to capture this epic moment. Similarly, Jim's "Free at Last" echoes too much of the old spiritual instead of offering something more unique. However, while this is somewhat disappointing it is not entirely unsatisfying, and I do not mean to downplay Miller's monumental success with this score. After all, Leonard Bernstein never came up with a final aria for Maria at the end of "West Side Story," and that did not take away from the greatness of that musical. At the end of "Big River" what stands out are the moments between Huck and Jim captured in song; those are the ones you are going to want to hear over and over. With his wide variety of songs for this show, Miller perfectly matched the breadth of Twain's writings. It is a monumental achievement and a lasting legacy for Miller, who proved himself to be a writer of much more than novelty hits.Big River: The Adventures Of Huckleberry Finn (1985 Original Broadway Cast) OverviewNo Description AvailableNo Track Information AvailableMedia Type: CDArtist: BIG RIVERTitle: ORIGINAL CASTStreet Release Date: 06/23/1988

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Next to Normal (Original Broadway Cast) Review

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Next to Normal (Original Broadway Cast) Review"Next to Normal," with music by Tom Kitt and lyrics by Brian Yorkey, is the kind of cast recording I respond to immediately, in which the music is in perfect synch with the plot. The songs are not just "songs," but extensions of the characters--direct outpourings of their emotions. Musical fans know it's not just about a catchy melody or lyric--the music has to hook into your emotions in an almost intangible way. On the best cast recordings, you don't have to listen to an entire "song"--sometimes just a mere musical phrase or dramatic moment can tingle the spine. I suppose, in theory, good musicals should always do this, but the last time I felt a musical worked this well, particularly in a sung-through style, was "Caroline, or Change." There are no clunky moments here--just two discs of musical theater bliss.
Like "Caroline," "Next to Normal," features a nimble, varied score--here it ranges from pop, rock, to folk, even a waltz and a hilarious Rodgers and Hammerstein parody. It's hard to pin down the sound exactly-- which is one of the great pleasures of the recording. Another pleasure is the cast. The fantastic (and soon-to-be Tony winner) Alice Ripley is Diana, a suburban mom in the throes of bipolar disorder. She's well matched with J. Robert Spencer, affecting as her well meaning but hopelessly enabling husband. Jennifer Damiano and Aaron Tveit make strong impressions as the struggling teens rounding out the family, and Adam Chanler-Berat and Louis Hobson add fine support in smaller roles. Singing Yorkey's smart and perceptive lyrics, the cast gives full due to the weighty subject matter. This is certainly the best new Broadway score of the year, and a superb cast recording. Not to be missed.
Next to Normal (Original Broadway Cast) Overview

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Chess in Concert (2009) Review

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Chess in Concert (2009) ReviewFour items make this a must-have. The first is Josh Groban singing the classic "Anthem", where, as the Russian chess champion, Anatoly, he avows his love for his homeland. As Anatoly's discarded wife, Svetlana, the amazing Kerry Ellis totally nails "Someone Else's Story." There's "The Story of Chess", where the Chorus perform Tim Rice's witty take on the evolution of the game. Finally, the Quartet, where Florence (Idina Menzel), Anatoly, his minder Molokov and the Arbiter deplore how chess has sunk from "a model of decorum and tranquillity" to "a battleground for rival ideologies to slug it out with glee."
Having seen the original London West End production in 1986 with Elaine Paige, I was lucky enough to witness this superb 21st Anniversary production in the Royal Albert Hall, London, last year. Tim Rice has tightened up the plot of love and betrayal played out in the setting of chess championships in the Cold War. Florence, who manages the American champion, falls for the Russian; complications - political, ethical, personal - ensue. From the moment the outstanding Chorus bursts into "Merano" - blending chess with commercialism as a tiny Central European town prepares to welcome the world - right to the devastating "Endgame" and final twist, the dramatic pace never lets up.
In this DVD, hopefully the sound difficulties of this production will have been ironed out. As to the cast - they were fantastic!! Groban is a revelation: a brilliant actor as well as singer. Kerry Ellis was a showstopper. As Florence, Idina Menzel, (so good in Wicked (2003 Original Broadway Cast), was too strident for my taste, lacking subtlety and roundness in acting. ("Heaven Help My Heart" doesn't register, and "Nobody's Side" pales away.) However, her "You and I" with Groban still tugs the heartstrings: "we go on pretending / Stories like ours Have happy endings."
The wonderful David Bedella (Jerry Springer: the Opera), makes a great, sinister Molokov. And Adam Pascal gives his charismatic ALL as Freddy, the tormented American bearing luggage from the past: "Pity the Child." Marti Pellow (of pop group Wet Wet Wet) was a disappointment as the Arbiter, a little under-performed I felt.
Rice's lyrics are trenchant, tender, intelligent, witty. The music, by Benny and Bjorn of ABBA, is a perfect rock score, conveying all the emotions and tensions necessary and fully matching the lyrics.
In the main, this is a superb production of a classic and underestimated musical.Chess in Concert (2009) Overview

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Spring Awakening (2006 Original Broadway Cast) Review

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Spring Awakening (2006 Original Broadway Cast) ReviewI saw this on Broadway without having heard this recording. In this particular case I'm glad I didn't as my experience of total shock and surprise and wonderment may somehow have been diminished. As I sat in my seat at The Eugene O'Neill Theatre I was held spellbound by the energy, talent and beauty of this cast (which features multiple Tony winner Stephen Spinella). However, as great as the cast is (and they are indeed great), the stars of the night were director Michael Mayer, choreographer Bill Jones and the composing team of Duncan Sheik and Steven Sater.

A teenage angst musical set in Germany circa 1890 and featuring a rock n roll score didn't actually sound like something that would interest me. Yet, in the hands of these grossly talented people, this material has been reanimated into a work of fabulous art, rooted in tradition and yet wholly original.
I picked up this CD after I returned home and have listened to it several times - and still cry. The music and lyrics are top drawer. The cast in dynamic. This is quality rock and roll - the high energy numbers are terrific, but the ballads (and they are plentiful) are what keep me listening again and again. Buy this CD (see this show).Spring Awakening (2006 Original Broadway Cast) OverviewDecca Broadway presents the cast recording for the acclaimed new Broadway production, SPRING AWAKENING. Written by pop music composer Duncan Sheik and playwright/lyricist Steven Sater, the musical explores emotional earthquakes in the lives of teenagers. SPRING AWAKENING is based on Frank Wedekind's controversial 1891 drama, which was scandalous in its day for addressing sex violence and suicide. The story, dialogue and costumes suggest the 19th Century, and are perfectly wedded to a beautiful alternative pop music score by Grammy® nominated singer/songwriter Duncan Sheik. The creative team also includes Tony® Award Winning director Michael Mayer (Thoroughly Modern Millie) and legendary choreographer Bill T. Jones.

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Les Miserables 10th Anniversary Concert Review

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Les Miserables 10th Anniversary Concert ReviewIf you only buy one Les Mis CD then BUY THIS ONE!! Granted it is not the complete version (ok so you'll have to go buy that one too) but just the raw talent of the performers on this recording is amazing.
Philip Quast has one of the most powerful voices that I have ever heard and it fits perfectly with Javert's character. "Stars" is my favorite song mainly for that reason.
Colm Wilkinson of course is the best Valjean out there. Sometimes his little rips at the end of a sustained note are annoying but his performance of "Bring Him Home" is the best.
And finally Lea Salonga is simply perfect as Eponine. She has a powerful yet very sweet voice that conveys Eponine's sadness without sounding whiny. Her performance of "On My Own" is nothing short of FANTASTIC and is giving Quast's performance of "Stars" a run for its money in my mind. Lea Salonga is quickly becoming one of my favorite singers and this recording is what first got my attention about her.
Overall, this recording is the best Les Mis recording out there. To get the whole story buy the Complete Symphonic Recording but for just pure enjoyment in listening, you MUST get this one!Les Miserables 10th Anniversary Concert OverviewLive in concert at the Royal Albert Hall. Cast recording. Publisher: AMZ-Omaha 1996 Format: Audio CD, 2 discs, 19 tracks ISBN: 766927332623

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Memphis: A New Musical (Orginal Cast Recording) Review

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Memphis: A New Musical (Orginal Cast Recording) ReviewI have been working on this show for three years and still LOVE listening to the music. Even my boyfriend, who does not like musicals, listens to this album in the car, and especially likes the David Bryan track and Chad Kimball's high note in "Memphis Lives in Me." In fact, one of the best days of my life was driving in the car over Christmas and singing "Someday" with my non-musical loving boyfriend. "Someday" was the first song I fell in love with and now the whole thing is a favorite.Memphis: A New Musical (Orginal Cast Recording) Overview

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Avenue Q (2003 Original Broadway Cast) Review

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Avenue Q (2003 Original Broadway Cast) ReviewMy wife and I just saw this on Broadway last week. It was one of those wipe-the-tears-of laughter from my eyes experience.
The standard description for the show has been "Sesame Street meets South Park", because the puppets, the setting and the music all are OBVIOUSLY Jim Henson-inspired, and because it is gleefully bawdy and offensive in an equal-opportunity kind of way.
While that is true, I found that the true similarity lies within the amount of truth and humanity all three have. Things are said, and ideas proposed, that would be inappropriate for "humans" to say. Seeing "puppets" talk about racism, porn, homosexuality, poverty and love enables you to look at it from a slightly different angle, and you'll learn a little bit more about yourself without even trying.
That is, if you can stop from laughing so dang loud.
The cast album perfectly captures the show, including just enough of the dialogue to give you the gist of the entire production. The vocal talent is impressive, with most singers doing two (or more) parts.
Seeing it live, realizing they are acting and puppeteering at the same time, the talent rises from "impressive" to "awesome".
The songs are flat-out irresistible. You'll be humming along before the individual songs even end.
The titles alone induce giggling: "What Do You Do With a B.A. in English", "It Sucks To Be Me", "The Internet is for Porn"...
Now, let's be perfectly clear. This is NOT for everyone. If you are easily offended, if you are homophobic, if you are uncomfortable talking about sex or race...this is NOT for you. This is not for kids.
It IS one of the most riotously funny Broadway experiences I've ever had. And the CD captures it perfectly.
By the way, if you haven't seen puppet sex, you haven't lived...
("It's OK to Be Loud As Hell (When You're Making Love)".Avenue Q (2003 Original Broadway Cast) OverviewAVENUE Q is a musical that has been running on Broadway since 2003 and is currently the 25th longest running musical in Broadway history and it has won 3 Tony Awards including BEST MUSICAL. The show is largely inspired by (and in the style of) Sesame Street.for adults. Most of the characters are puppets (operated by actors onstage). The characters use profanity and the songs concern adultthemes.AVENUE Q is the story of Princeton, a bright-eyed college grad who comes to New York City with big dreams and a tiny bank account. He soon discovers that the only neighborhood in his price range is Avenue Q; still, the neighbors seem nice. There's Brian the out-of-work comedian and his therapist fiance‚ Christmas Eve; Nicky the good-hearted slacker and his roommate Rod -- a Republican investment banker who seems to have some sort of secret; an Internet addict called Trekkie Monster; and a very cute kindergarten teaching assistant named Kate. And would you believe the building's superintendent is Gary Coleman?!? (Yes, that Gary Coleman.) Together, Princeton and his newfound friends struggle to find jobs, dates, and their ever-elusive purpose in life.--This text refers to an alternate Audio CD edition.

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