Oklahoma (1964 Studio Cast) Review

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Oklahoma (1964 Studio Cast) ReviewI liked this 1964 studio cast album of Oklahoma for what it has to offer, but it is lacking the meaning, sincerity, and lustre of all other recordings of the show that preceeded this one. John Raitt and Florence Henderson are both wonderful in their roles, just as good as those that went before them in the film and the original Broadway production. Supporting cast is ideal as well. Entirely new orchestrations have been arranged and really do a disservice to the beautiful original orchestrations in place since 1943 (I believe the 1955 movie version altered some but did not incorporate all-new orchestrations). My first impression when listening to the Overture was that it sounds more like a childrens' sing along record than one of Broadway's greatest triumphs. Sound quality and presentation are wonderful throughout. This is a worthy addition to your collection, but if Columbia/Sony really wants to make my day, they'll remaster and re-release their 1952 studio cast recording of Oklahoma, with Nelson Eddy as Curly, into their "Broadway Masterworks" series. I HIGHLY recommend that recording if you are fortunate enough to find it. I believe it is still in print.Oklahoma (1964 Studio Cast) Overview

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Les Miserables - The Dream Cast in Concert (1995) Review

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Les Miserables - The Dream Cast in Concert (1995) ReviewWords fail me when I try to describe this video. Les Miz is a glorious play, what with the genius of Boublil & Schonberg. I didn't think I would much enjoy this video because of its lack of actual set & acting and also the few short pieces cut. But it still blew me away. Best of all was the cast. It truly was the definitive edition.
Colm Wilkinson is just the perfect Valjean. His voice has such emotion & resonance to it. And he has such a strong presence as an actor.
Philip Quast was another excellent performer. I've once heard his voice described as "flinty" and I think that that's a good word for it. He really portrays Javert with such coldness, he makes the character quite vivid.
Ruthie Henshall's Fantine is one of those rare performances in musical theatre which simply cannot be surpassed. Henshall's voice is so stirring, heartbreaking, reverberating, deep, chilling, and beautiful. Her "I Dreamed a Dream" is excellent!
Michael Ball's Marius needs to introduction. He's THE Marius, what else is there to say? His voice so, so powerful and he sings with such heart. His "Empty Chairs At Empty Tables" is truly captivating.
Michael Maguire's Enjolras is often criticised. Yes, this wasn't the best performance he probably could have given and he did miss a few notes. But he still has a great voice. People argue that Anthony Warlow is a better Enjolras. While I agree that Warlow has the vocal edge, there's something in Maguire's performance that makes him so much like Enjolras and just so perfect for the part.
Judy Kuhn's Cosette was the one performance which I can say is good but not great. She didn't strike me the first time I heard her, though she has grown on me. She does have a lovely voice, but I just don't go for the whole "ringing soprano" thing. In fact, almost all Cosettes & Christines and the like in general just annoy me. I think Kuhn sounded better as Pocahontas.
Hannah Chick's little Cosette was SO adorable! She didn't miss a note during "Castle On A Cloud" which she just sang so sweetly. At the same time, she didn't seem to overact the sweetness, which I've seen all too many Cosettes do. And the way she kept singing after the stage light explosion was very professional.
And Adam Searles, gotta Love him. Similar to Maguire, I have heard Gavroches with better voices that Searles but he just has the part of Gavroche down so well. He just has the perfect street-wise, smart-aleck attitude perfectly.
I was shocked as to how many people disliked Lea Salonga's Eponine. Even more shocking was how people insisted that Frances Ruffelle was much better. I think Salonga was THE most phenomenal singer of the night. To me, Ruffelle sounds terrible! Many have called Salonga too "bitter" or "angry" but Eponine is a bitter, angry character! Salonga sings with such force, and at other times (e.g. "A Little Fall of Rain") with such sad sweetness. Her "On My Own" was so excellent that watching it is an intense experience. I could barely tear my eyes from the screen the first time I saw her sing it. I think there is no question that she's THE definitive Eponine. 'Course that's just my opinion.
All in all, this was the greatest performance of Les Miz I have ever seen!Les Miserables - The Dream Cast in Concert (1995) OverviewThe 10th anniversary of the international musical sensation Les Misérables is celebrated in this 1995 concert at London's Royal Albert Hall. The all-star cast features Colm Wilkinson (Valjean), Ruthie Henshall (Fantine), Michael Ball (Marius), Judy Kuhn (Cosette), Lea Salonga (Eponine), Philip Quast (Javert), and Alun Armstrong (Thenardier).Favorite songs from the Alain Boublil and Claude-Michel Schönberg score include "Who Am I?", "I Dreamed a Dream," "Master of the House," "One Day More," "Do You Hear the People Sing?" and "Bring Him Home."

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Camelot (Original Broadway Cast) Review

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Camelot (Original Broadway Cast) ReviewThe original cast of "Camelot", Richard Burton as Arthur, Julie Andrews as Guinevere, Robert Goulet as Lancelot, is one of those rare coming togethers of great talent in a Broadway show that all you can do is wonder why in God's name (a) the show wasn't recorded in its entirety back then on film or tape and (b) none of these participants reprised their roles in the dreadful 1967 movie version. What was Joshua Logan smoking when he insisted on Richard Harris instead of Burton? It remains one of the most baffling stories in the history of Broadway musicals mucked up by Hollywood.
This CD of the original cast is therefore all the more precious because its your only chance to sample this wonderful assemblage of talent performing the best Lerner-Loewe score next to "My Fair Lady". The remastered CD is a must, putting the songs back in their right order and sounding much better than the earlier CD pressing did.
Ultimately, the CD gets only four stars from me not because of its presentation, but because of the manner in which this recording was first produced back in 1960. Goddard Lieberson, the head of Columbia Records who produced cast recordings back then was notorious for damaging the essence of what a cast recording was supposed to be, i.e. a document of the show and its music and instead often made some very bad tamperings with the material in order to achieve a supposedly "purer" musical listening experience. This meant (a) always eliminating all dialogue snippets that led into a song or was spoken between verses (b) sometimes eliminating whole musical sections that didn't sound "musical" enough and were more stage bound. In the case of "Camelot" this supposedly more "artistic" decision results in the loss of Julie Andrews lines and contributions in the title song so that it's a Burton solo. We also lose Burton's angry prelude to "How To Handle A Woman" where he rails against Merlin, and finally the ending which reprises the title song has been tampered into something it wasn't and never was on stage. Goddard Lieberson's aversion to dialogue from the play in this case not only harmed the integrity of this recording as a document of the play, but also robs us the ability to hear how really good Burton, Andrews etc were in their performances as well as their singing. The end result is still magnificent in the form its presented, but should have been more definitive than it turned out to be.Camelot (Original Broadway Cast) Overview

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Les Miserables 10th Anniversary Concert Review

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Les Miserables 10th Anniversary Concert ReviewIf you only buy one Les Mis CD then BUY THIS ONE!! Granted it is not the complete version (ok so you'll have to go buy that one too) but just the raw talent of the performers on this recording is amazing.
Philip Quast has one of the most powerful voices that I have ever heard and it fits perfectly with Javert's character. "Stars" is my favorite song mainly for that reason.
Colm Wilkinson of course is the best Valjean out there. Sometimes his little rips at the end of a sustained note are annoying but his performance of "Bring Him Home" is the best.
And finally Lea Salonga is simply perfect as Eponine. She has a powerful yet very sweet voice that conveys Eponine's sadness without sounding whiny. Her performance of "On My Own" is nothing short of FANTASTIC and is giving Quast's performance of "Stars" a run for its money in my mind. Lea Salonga is quickly becoming one of my favorite singers and this recording is what first got my attention about her.
Overall, this recording is the best Les Mis recording out there. To get the whole story buy the Complete Symphonic Recording but for just pure enjoyment in listening, you MUST get this one!Les Miserables 10th Anniversary Concert OverviewLive in concert at the Royal Albert Hall. Cast recording. Publisher: AMZ-Omaha 1996 Format: Audio CD, 2 discs, 19 tracks ISBN: 766927332623

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Avenue Q (2003 Original Broadway Cast) Review

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Avenue Q (2003 Original Broadway Cast) ReviewMy wife and I just saw this on Broadway last week. It was one of those wipe-the-tears-of laughter from my eyes experience.
The standard description for the show has been "Sesame Street meets South Park", because the puppets, the setting and the music all are OBVIOUSLY Jim Henson-inspired, and because it is gleefully bawdy and offensive in an equal-opportunity kind of way.
While that is true, I found that the true similarity lies within the amount of truth and humanity all three have. Things are said, and ideas proposed, that would be inappropriate for "humans" to say. Seeing "puppets" talk about racism, porn, homosexuality, poverty and love enables you to look at it from a slightly different angle, and you'll learn a little bit more about yourself without even trying.
That is, if you can stop from laughing so dang loud.
The cast album perfectly captures the show, including just enough of the dialogue to give you the gist of the entire production. The vocal talent is impressive, with most singers doing two (or more) parts.
Seeing it live, realizing they are acting and puppeteering at the same time, the talent rises from "impressive" to "awesome".
The songs are flat-out irresistible. You'll be humming along before the individual songs even end.
The titles alone induce giggling: "What Do You Do With a B.A. in English", "It Sucks To Be Me", "The Internet is for Porn"...
Now, let's be perfectly clear. This is NOT for everyone. If you are easily offended, if you are homophobic, if you are uncomfortable talking about sex or race...this is NOT for you. This is not for kids.
It IS one of the most riotously funny Broadway experiences I've ever had. And the CD captures it perfectly.
By the way, if you haven't seen puppet sex, you haven't lived...
("It's OK to Be Loud As Hell (When You're Making Love)".Avenue Q (2003 Original Broadway Cast) OverviewAVENUE Q is a musical that has been running on Broadway since 2003 and is currently the 25th longest running musical in Broadway history and it has won 3 Tony Awards including BEST MUSICAL. The show is largely inspired by (and in the style of) Sesame Street.for adults. Most of the characters are puppets (operated by actors onstage). The characters use profanity and the songs concern adultthemes.AVENUE Q is the story of Princeton, a bright-eyed college grad who comes to New York City with big dreams and a tiny bank account. He soon discovers that the only neighborhood in his price range is Avenue Q; still, the neighbors seem nice. There's Brian the out-of-work comedian and his therapist fiance‚ Christmas Eve; Nicky the good-hearted slacker and his roommate Rod -- a Republican investment banker who seems to have some sort of secret; an Internet addict called Trekkie Monster; and a very cute kindergarten teaching assistant named Kate. And would you believe the building's superintendent is Gary Coleman?!? (Yes, that Gary Coleman.) Together, Princeton and his newfound friends struggle to find jobs, dates, and their ever-elusive purpose in life.--This text refers to an alternate Audio CD edition.

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