Showing posts with label alison krauss. Show all posts
Showing posts with label alison krauss. Show all posts

Twister: Music From The Motion Picture Soundtrack Review

Twister: Music From The Motion Picture Soundtrack
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Twister: Music From The Motion Picture Soundtrack ReviewI bought this CD (which is getting harder to find) strictly for the Van Halen song "Respect the Wind". That song, to my knowledge, cannot be found anywhere else. It's really done by Edward and Alex Van Halen so it's not "technically" a Van Halen song. Regardless, that song alone made the CD worth buying.Twister: Music From The Motion Picture Soundtrack Overview

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Paul Simon And Friends: The Library of Congress Gershwin Prize for Popular Song (2009) Review

Paul Simon And Friends: The Library of Congress Gershwin Prize for Popular Song (2009)
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Paul Simon And Friends: The Library of Congress Gershwin Prize for Popular Song (2009) ReviewA very special DVD. Using Simon's own band to back up the other artists performing his songs was a brilliant move, as it maintained the integrity of his works in their new forms. It did seem like the videographer (or editor) was enamored of Simon's band manager Mark Stewart, as he appears prominently in an extraordinary number of scenes.
The inserted clips of Simon singing "Mrs. Robinson" at the Yankee Stadium tribute to DiMaggio was as awkward here as it was originally. The clips of Simon's recorded duets with Miriam Makeba and George Harrison were priceless, welcome additions.
The only real downer of the whole experience was Philip Glass's piano mangling of "Sounds of Silence". It was tortured and barely recognizable!
Overall, this purchase was well worth the money!Paul Simon And Friends: The Library of Congress Gershwin Prize for Popular Song (2009) Overview

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Get Low Review

Get Low
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Get Low ReviewI just saw Robert Duvall's latest film, so the music soundtrack has relevence. But even if I hadn't seen Get Low, I would have bought it anyway. It's that good.
The album is an atmospheric mix of old-time, classic country and original bluegrass music performed by the premiere artists of those genres. You may already know the work of Alison Krauss and Jerry Douglas, but if you've never heard The SteelDrivers before, this is your chance to be truly impressed by an exceptional bluegrass band. The gritty authenticity of lead singer Chris Stapleton's powerful voice will send chills up and down your spine.
More important, this nostalgic compilation reminds this former East Tennessean of some of the crusty individualists that still live in the mountains and hollers of Appalachia. Thus, I will play this album often, but especially when I'm headed back home.Get Low Overview

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The Three Pickers (2003) Review

The Three Pickers (2003)
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The Three Pickers (2003) ReviewI love concert DVDs, anyway, although they often leave me wishing I had been there. This one certainly does that, in spades. It has it all--first--the greatest pickers; second, great video and audio recording quality, and last, an appreciative and knowledgeable audience. Earl Scruggs finger picking the guitar on "Who Will Sing For Me" is not to be missed. Reminds me of those old black and white Flatt and Scruggs TV shows back in the early 60's I used to watch on Sunday night, when Earl would put down his banjo and accompany the group on their "sacred number" as Lester put it. If you want to hear more of him doing that, also buy the Flatt & Scruggs CD "The Complete Mercury Sessions". Great Stuff.The Three Pickers (2003) OverviewFor one memorable evening before a live audience, Earl Scruggs, Doc Watson and Ricky Skaggs joined forces as The Three Pickers. The music they made is as relaxed as a front porch picking session, highlighted by the skill of these three bluegrass masters.Includes: ?Earl?s Breakdown,? ?Walk on Boy,? ?Road to Spencer,? ?Pick Along,? ?Feast Here Tonight,? ?What Would You Give in Exchange For Your Soul?? ?Don?t Let Your Deal Go Down,? ?Who Will Sing for Me?? ?Soldier?s Joy,? ?What Is a Home Without Love??**, ?The Storms Are on the Ocean,? ?Down in the Valley to Pray,? ?The Banks of the Ohio,? ?John Hardy?**, ?Katy Hill,? ?Foggy Mountain Top,? ?Roll in My Sweet Baby?s Arms?** DVD-only bonus tracks

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Down from the Mountain (The "O Brother, Where Art Thou?" Concert) (2000) Review

Down from the Mountain (The O Brother, Where Art Thou Concert) (2000)
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Down from the Mountain (The "O Brother, Where Art Thou" Concert) (2000) ReviewThis movie, part stage show and part local color with a good bit of nostalgia thrown in, is breathtaking, riveting, spellbinding, transcendent. It begins with a night tour of Nashville's exciting places; from the limo window we see Tootsie's, the Ryman Auditorium, Second Avenue, Lower Broadway. We share our ride with Ralph Stanley, who has "come down from the mountain." We spend time backstage at the Ryman while the performers are waiting their turns, and eavesdrop on John Hartford as he spins a tale about wanting to be a librarian. We listen to a couple of blues players talk about their work and discover that Emmylou Harris is a baseball fan. The show itself is country at its best. Rock and roll doesn't show its face; there are no gyrations or big hats or shrill voices. Just country, with memories of the Carter Family, Jimmie Rodgers, and a plethora of old time musicians who sang of hard times and death and endurance. We will always remember Emmylou Harris's sweet, true voice, Allison Krause's melodic outpouring, and Gillian Welch's beautiful harmony. We'll remember the Peasall sisters and the Fairfield Four and Ralph Stanley; but most of all, we'll remember the magic moment when John Hartford began to sing "Big Rock Candy Mountain." It was one of his last performances before he succumbed to cancer, but his voice was steady and strong, and his hands sure on the violin. This was old time music as it should be, and even the newer songs sounded old. It reminds us of how far modern country music has strayed from its roots, and how easy and pleasant it is to go back to them again.Down from the Mountain (The "O Brother, Where Art Thou" Concert) (2000) OverviewOn May 24, 2000, the historic Ryman Auditorium was booked to offer Nashvillians an evening of sublime beauty. Label executives and soundtrack producers so loved the music of O Brother, Where Art Thou? that they brought it to life as a benefit concert for the Country Music Hall of Fame. Filmmakers Joel and Ethan Coen loved it so much that they hired famed documentary filmmaker D.A. Pennebaker to record the show for posterity. The concert that unfolded that night was one of the greatest musical moments in the annals of Music City. Performers: John Hartford, Alison Krauss, Emmylou Harris, Gillian Welch, Chris Thomas King, The Cox Family, Fairfield Four, Union Station, Colin Linden, The Nashville Bluegrass Band, The Peasall Sisters, Ralph Stanley, David Rawlings, The Whites. 98 minutes.

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