Amor en Custodia Review

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Amor en Custodia ReviewLa calidad del video y audio es buena, está bien resumida. El único problema es... que solo es LA MITAD o menos de la novela, a que me refiero? que despues de revelarse algunos secretos importantes que descubren aproximadamente a la mitad de la novela (o antes de la mitad), se saltan directamente hasta el final, cuando ya son todos felices, quitan las escenas de los personajes nuevos y todo como si nada, la vrd es frustrante porque después de esa parte vienen cosas muy interesantes, como el nuevo amor de Barbara, Mauro Mendoza (Sebastian Estevanez, el Pacheco argentino) el matrimonio de Pacheco con la cara de ardilla, la otra hija de Paz: Milagros a quien Aguirre conoce cuando queda ciego, la hermana perdida de Paz, la verdadera mamá de Barbará (Soledad Silveyra, la actriz que hace de Paz en Argentina), tambien falta la parte la mamá de Paz, de cuando Pacheco se hace pasar por muerte y muchas cosas mas.
Aunque para mi lo mas importante que quitaron fue sin duda la parte de Mauro Mendoza, fue cuando Amor en Custodia tuvo su máximo exito, hacian firmas de autografos que se atascaban de gente, incluso se hablo de una rivalidad entre el actor de Pacheco y Mendoza pues éste ya practicamente se habia robado el protagonico, por lo que tuvieron que sacarlo de la novela.
En fin, creo que hubiera sido mejor un CONTINUARÁ.... y que después nos vendieran la 2da parte con todo lo que faltó o incluso una 3ra parte en vez del asqueroso resumen que hicieron, pero bueno. Lo hecho, hecho está.
Tontamente volvi a comprar la versión Region 4 pensando que era diferente pues duraba mas horas, pero no, solo incluye además del resumen los 2 primeros y 2 ultimos capitulos completos (con las escenas de personajes que ni siquiera aparecieron en el resumen), el resumen sigue siendo el mismo. Que tristeza, tan buena telenovelaAmor en Custodia Overview

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Down from the Mountain (The "O Brother, Where Art Thou?" Concert) (2000) Review

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Down from the Mountain (The "O Brother, Where Art Thou" Concert) (2000) ReviewThis movie, part stage show and part local color with a good bit of nostalgia thrown in, is breathtaking, riveting, spellbinding, transcendent. It begins with a night tour of Nashville's exciting places; from the limo window we see Tootsie's, the Ryman Auditorium, Second Avenue, Lower Broadway. We share our ride with Ralph Stanley, who has "come down from the mountain." We spend time backstage at the Ryman while the performers are waiting their turns, and eavesdrop on John Hartford as he spins a tale about wanting to be a librarian. We listen to a couple of blues players talk about their work and discover that Emmylou Harris is a baseball fan. The show itself is country at its best. Rock and roll doesn't show its face; there are no gyrations or big hats or shrill voices. Just country, with memories of the Carter Family, Jimmie Rodgers, and a plethora of old time musicians who sang of hard times and death and endurance. We will always remember Emmylou Harris's sweet, true voice, Allison Krause's melodic outpouring, and Gillian Welch's beautiful harmony. We'll remember the Peasall sisters and the Fairfield Four and Ralph Stanley; but most of all, we'll remember the magic moment when John Hartford began to sing "Big Rock Candy Mountain." It was one of his last performances before he succumbed to cancer, but his voice was steady and strong, and his hands sure on the violin. This was old time music as it should be, and even the newer songs sounded old. It reminds us of how far modern country music has strayed from its roots, and how easy and pleasant it is to go back to them again.Down from the Mountain (The "O Brother, Where Art Thou" Concert) (2000) OverviewOn May 24, 2000, the historic Ryman Auditorium was booked to offer Nashvillians an evening of sublime beauty. Label executives and soundtrack producers so loved the music of O Brother, Where Art Thou? that they brought it to life as a benefit concert for the Country Music Hall of Fame. Filmmakers Joel and Ethan Coen loved it so much that they hired famed documentary filmmaker D.A. Pennebaker to record the show for posterity. The concert that unfolded that night was one of the greatest musical moments in the annals of Music City. Performers: John Hartford, Alison Krauss, Emmylou Harris, Gillian Welch, Chris Thomas King, The Cox Family, Fairfield Four, Union Station, Colin Linden, The Nashville Bluegrass Band, The Peasall Sisters, Ralph Stanley, David Rawlings, The Whites. 98 minutes.

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