Scent Of A Woman: Original Motion Picture Soundtrack Review

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Scent Of A Woman: Original Motion Picture Soundtrack ReviewAs a matter of fact I bought this CD not as much due to Mr. Newman's original scrore, but since I liked very much the treatment of the beatiful Spanish song "La Violetera" in key moments of the film. Mr. Newman's music is very good, but the Spanish and Argentine music he used was much better. The performances of "The Tango Project" are superb. "La Violetera" is probably the nicest Spanish song, talking of a florist; it is widely known in its original version in Spain and Latin America, and moreover, came to international light thanks to Charles Chaplin's "City Lights" where it was the Leitmotif of the blind florist girl (a very adequate use indeed). The tango "Por una Cabeza" is probably the highlight of the score, because it is the piece danced by Al Pacino; unfortunately the other tango "Caminito", played by the orchestra at the restaurant, does not appear here. It is a petty. As a whole, I like the CD very much, especially the two performances of "The Tango Project", but just because they are more touching to my cultural heritage. Nonetheless, I praise both Mr. Newman's personal compositions as well as his perfect use of other's melodies.Scent Of A Woman: Original Motion Picture Soundtrack Overview

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Revolutionary Road Review

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Revolutionary Road ReviewThomas Newman's music so easily evokes emotion and the older songs "The Gypsy" and "Count Every Star" are so classy and romantic. Loves it! I only wish they had included the song from the trailer, "Wild is the Wind" by Nina Simone...otherwise it's a beautiful CD.Revolutionary Road Overview

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WALL-E Review

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WALL-E ReviewThis soundtrack really stands on its own, despite accompanying one of the most achingly beautiful films I have ever seen.
Stanton says in the liner notes that the movie as a whole was a space opera, something he kept emphasizing as Newman composed. Compared to the defining space opera, the original Star Wars trilogy, there are rather a lot of differences. Williams' score in Star Wars had a clear sense of accoustics and an expansive staging that translated even while watching the film. With a good sound system, you can almost imagine an orchestra pit just below the screen. The score seemed to come from the eternally romantic Star Wars universe itself, boldly proclaiming its themes of good, evil, love, and war.
Newman's score for WALL-E, on the other hand, has a sonically closed or condensed aspect to it that draws you in closer to the intimate world of its inhabitants. As breathtaking as Stanton's vision of outer space turns out to be, you are still invited to experience it through the eyes of a newcomer, a little robot who, like yourself, has never been there before. Rather than coming from the universe, the soundtrack to WALL-E seems rather to simply be the music that accompanies the imaginative, curious, and ultimately wonderstruck mind.
Although I liked nearly all of it, EVE stood out as my favorite individual track. In all I recommend the album, especially to those who enjoyed the movie.WALL-E Overview

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