Showing posts with label film music. Show all posts
Showing posts with label film music. Show all posts

The Thorn Birds Review

The Thorn Birds
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The Thorn Birds ReviewFINALLY, a soundtrack is released!!!! How extraordinary!
YES YES YES YES, I agree with most of the critics written here, the quality of this soundtrack is exceptionnal. They did a fantastic job remastering the music score, and the stereo effect is astonishing (you must listen to the soundtrack with your headphones at least once, it's worth it, you will really get the dept of the sound).
And... after having discussed with a few people, I came to the conclusion that back in 1983, Mancini decided to record the soundtrack not with an orchestra, all at once, as usual. Nope, for the Thorn Birds, it seems he recorded the instrument groups individually, on different tracks, and he mixed them afterwards. Maybe he wanted to get the best out of every musicians? Personnaly, that's perfection. You may have noticed there is no orchestra mentionned on the CD...
The sad thing is that it seems the people who remastered the original soundtrack for the CD ommited (or lost?) some instruments during the final mix. The dulcimer that was suppose to play the main title theme of the very first track is indeed missing (yes yes it IS missing, i compared it to the opening credits from the DVDs), and the guitar seemed to have been filtered through something, it's not as clear as the original (as if they "cleaned" it too much!). Also, they ommited the dulcimer in the track "Drogheda" (track 3), where it was supposed to start the score, for the first 15 seconds (on the CD you only get the background music, guitar and harp). And... I've also noticed on the track 'Vacation's End', compared to the original score on the miniserie, there was suppose to be an electronic harpischord taking over the violins at 1 min 52 sec for a line or two. It's missing...
It's too bad... but hey... what can we do. Besides these little mistakes, I believe this music is still one of the greatest score I ever heard.
Besides, I would have like to get a few more scores : the piano when Ralph sees Meggy for the first time at the train station, or when he sees Meggy slowly coming down the stairs at Mary's birthday party... a few scores are missing from the CD... maybe they could give us a 'bonus' CD with new scores and the ones that were not mix proprely on this soundtrack CD set? That would be fantastic. Just a thought...The Thorn Birds Overview

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Schindler's List: Original Motion Picture Soundtrack Review

Schindler's List: Original Motion Picture Soundtrack
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Schindler's List: Original Motion Picture Soundtrack ReviewFrom the response that one can observe to the score from Schindler's List, it is like no one took John Williams' work seriously prior to its release. He had been renowned for his bombast music and his loud marches, but his subtler works might have been too easily forgotten. However, there seems to be a turnaround in the public conception of Williams after Schindler's List. To many people, he became a composer capable of the deep emotion inherent in more somber films. To long time fans, this may have always been apparent, but for those who could not recognize his skill, Schindler's List divulged it completely and indubitably.
Schindler's List, even when it is depicting the greatest evil and the most visually horrifying images, never collapses and never overpowers. Its greatest gift is its ability to outline and highlight, not to overshadow and reconstruct. The multiple themes are all extraordinary and powerful, recurring where necessary, and coming to a crescendo as appropriate. Frequently intermingled are appropriate and stirring excerpts from Hebrew hymns that humanize and reconnect the images on screen with the validity of the past. Combined within are two sides of a film score that work together to create a magical whole. The dominant passages are the string pieces, led by Ithzak Pearlman, and colasceing the traditional images of the film with music that isn't wholly inappropriate from the era depicted. Alternately, there are delightful mechanical cues that reference Hebrew music and lighten the mood as necessary. Best depicted in the track "Schindler's Workforce"--perhaps the best an most delightful of the tracks, outside of the suites--maintains a constant beat that circles and epitomizes the interaction of the Jews and their forced occupation.
Ultimately, it is a perfect film that is complimented by a completely appropriate score. One can intensely understand and concur with the lifelong relationship between Williams and Spielberg, understanding where they are in tune, why they are so equally successful, and just how much they love filmmaking; all because they are good at what they do and share a mind in how it should be done. Listening to the score from Schindler's List is an experience equally pleasant and disturbing; pleasant where the music relates the sanguine outlooks of the Jewish people, and disturbing as we see the atrocities that try to break their spirit. The score in the end, represents, perhaps, the pinnacle of Williams' film scoring career, a point where he gained ubiquitous respect and appreciation. The score for Schindler's List is an undeniable feat that should not be missed for its perfection, its depiction, and its beauty.Schindler's List: Original Motion Picture Soundtrack Overviewtitolo-schindler's listcompositore-john williams etichetta-mcan. dischi1data3 giugno 1994supportocd audiogenerecolonne sonore-brani----1.theme from schindler's list 2.jewish town (krakow ghetto - winter '41) 3.immolation (with our lives, we give life) 4.t

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