Showing posts with label classic musicals. Show all posts
Showing posts with label classic musicals. Show all posts

Kismet (1953 Original Broadway Cast) Review

Kismet (1953 Original Broadway Cast)
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Kismet (1953 Original Broadway Cast) ReviewKISMET began life as a 1911 play, filmed as a silent that year and again as a talkie in Vitascope widescreen (65 mm.) in 1930. It got the MGM Technicolor treatment in 1942 and then was adapted into this sumptuous operetta in 1953, followed by a leaden and boring fourth film version -this time of the musical - in 1955. Here is the extraordinary original cast - Alfred Drake Doretta Morrow, Richard Kiley, Joan Diener and Henry Calvin.Sound is excellent, performances both dramatically and musically are superb and the orchestrations are lush, dramatic, sumptuous and breathtakingly beautiful. Too bad the book is humorous fluff - but the score is one of the glories of the musical theatre. This was the first LP designed solely for that format (times weren't trimmed to fit on one side of a 78 or 45 rpm alternate disk) and the first to be recorded in microgroove, allowing for far more recorded sound per LP side than before. Exceptional clarity, the excitement of a live Broadway performance and deserved winner of six Tony Awards including Best Musical, Best Book, Best Score and Best Actor. It ran for 583 performances on Broadway and was revived in 1978 in an African version, TIMBUKTU. Exceptional conducting. Here are the 18 original musical numbers. Dance music is not included but in any case this is a gem in the recorded annals of musical history. Very worth owning. (Note: This was Kiley's first show and Diener's next to last. Years later he was to star as Don Quixote in MAN OF LA MANCHA with Diener costarring in her last role as Aldonza). Note the "theatrical" approach of Alfred Drake from the rear of the recording studio in RYMES HAVE I - another "touch" of Goddard Lieberson, recording producer for Columbia.Kismet (1953 Original Broadway Cast) Overview

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Hello, Dolly (1994 Broadway Revival Cast) Review

Hello, Dolly (1994 Broadway Revival Cast)
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Hello, Dolly (1994 Broadway Revival Cast) ReviewHELLO DOLLY! is still one of musical theatre's crowning-glories. The original 1964 production catapulted Carol Channing into the annals of Broadway folklore and the role became her signature performance.
In 1994, Carol Channing and DOLLY! came back to Broadway for a limited-run revival. Channing has lost few steps since originating the role and turns in a fabulous performance. Like a fine wine, her performance and portrayal of Dolly grew richer and more honed.
Channing was surrounded by a strong cast including Florence Lacey as Irene Molloy, Jay Garner as Horace Vandergelder, Michael DeVries as Cornelius Hackl, Cory English as Barnaby Tucker and Lori Ann Mahl as Minnie Fay.
Florence Lacey sings a deeply-affecting "Ribbons Down My Back", DeVries and English are wonderful with "Dancing" and Jay Garner is the perfect stuffy foil to Channing's manic and free-wheeling matchmaker.
There are many differences to the original 1964 cast album, including the addition of a new, longer Overture, and the extended sequence to "Dancing". Sound quality is also very impressive, though the original cast album's sound quality is still as fresh as paint.
Get this superb CD today (or buy both albums if you have yet to discover the joys of this landmark Broadway show).Hello, Dolly (1994 Broadway Revival Cast) Overview

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Li'l Abner (1956 Original Broadway Cast) Review

Li'l Abner (1956 Original Broadway Cast)
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Li'l Abner (1956 Original Broadway Cast) ReviewAt long last, this must-own recording is available in a properly remastered, easy-to-find CD. This is the kind of show Broadway doesn't have any more: Not a blockbuster, but a good solid hit that made money and kept audiences entertained for two years with jokes, great songs, smart staging and a perfect cast. Much of the fun of the show is preserved on producer Goddard Lieberson's Broadway cast recording, which has now been improved by the addition of 10 minutes' worth of material that didn't make it onto the LP, including the big ballet and an expanded version of the finale. There's also a lot of good stuff here that was dropped in the movie version, such as the biting "Oh, Happy Day" and the encore verses of "Jubilation T. Cornpone." Apart from the overture and ballet, the recording is in mono, but the sound is excellent nonetheless, with the engineers capturing all the detail of Phil Lang's raucous orchestrations. Above all, this recording is to be savored for Johnny Mercer's lyrics, perhaps the finest -- and certainly the funniest -- work of this master songwriter. This CD reissue features plenty of photos and notes, and the only quibble I have is that it doesn't feature a plot synopsis. But if you like musical comedy, you've got to have this CD.Li'l Abner (1956 Original Broadway Cast) Overview

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Alice Faye Collection 2 (Rose of Washington Square/Hollywood Cavalcade/The Great American Broadcast/Hello, Frisco, Hello/Four Jills in a Jeep) (Full Chk Gift) (2008) Review

Alice Faye Collection 2 (Rose of Washington Square/Hollywood Cavalcade/The Great American Broadcast/Hello, Frisco, Hello/Four Jills in a Jeep) (Full Chk Gift) (2008)
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Alice Faye Collection 2 (Rose of Washington Square/Hollywood Cavalcade/The Great American Broadcast/Hello, Frisco, Hello/Four Jills in a Jeep) (Full Chk Gift) (2008) ReviewThe availability of a second collection of films of the charming Alice Faye is welcome. It seems that a new generation are discovering this quality performer and actress and this DVD collection is a worthy valentine to her legacy. Faye's films tended to follow a proven box office formula. She was quoted in later life as drily stating that they merely rotated her leading men as she constantly remade the same story. These films certainly support that view as all the cliches are on view, each with their own twist.
- first off is the 1939 "Rose of Washington Square". This is a dramatic musical with a more gutsy part for Faye than usual and an excellent role for matinee idol Tyrone Power as a heel. The story was based on the life of "Funny Girl" Fanny Brice who sued the studio for plagiarism. Al Jolson, as Faye's vaudeville buddy, and Faye sing superbly. The film was severely edited before release and many of the cut scenes survive, some of which have been included here.
- next, also released in 1939, is the technicolour romantic comedy "Hollywood Cavalcade". This is a nostalgic look at the coming of talkies, a Reader's Digest potted history of Hollywood, with Faye's role based loosely on, among others, Mabel Normand, a silent screen comedian, and Don Ameche on Mack Sennett, a silent comedy director. The film is very well made with soft colouring and excellent performances by the leads but the director Irving Cummings, while meticulous, always directed at a plod. The best scenes are the Keystone Cop comedy recreations, not directed by Cummings, before the films descends into the usual cliches with Faye neglected by her leading man and wearing her heart on her sleeve.
- in 1941, "The Great American Broadcast" adhered rigidly to the girl meets boy, girl loses boy, girl reunites with boy formula, this time set around the advent of radio. The plot is a rehash of "Alexander's Ragtime Band" stirred in with "Tin Pan Alley" with John Payne and Jack Oakie re-appearing from the latter film. While it may be flawed history, it is a mighty entertaining film. Faye's rendition of the war time Harry Warren lament "Where you are", backed by the Ink Spots, is memorable and the Nicholas Brothers are in there too, performing a breathtaking dance as usual.
- in 1943, "Hello Frisco Hello", one of Faye's best remembered films, was released. A period musical rich in familiar and, in this case, particularly tiresome plot cliches, it benefits from spectacular colour, great production values, superb sound and Faye herself, slim, radiant, warm and sympathetic. This is the film in which she mesmerised the audience with her signature tune "You'll Never Know", but there are other goodies like "The Grizzly Bear" and "Pick on me". John Payne and Jack Oakie are with her for the third time, the former as a very stiff and humorless leading man and the latter for some hokey overacted comedy.
- the inclusion in the set of the lousy war time propaganda film "Four Jills in a Jeep" is hard to fathom, unless you view it as a sort of bonus. This boring musical traces the factual trip by 4 second rate stars to entertain the boys at the front. Most of the musical numbers are dull with wooden Dick Haymes, loud Martha Raye and voluptuous Carole Landis, among others. One highlight is the athletic dancing of Mitzi Mayfair. Faye makes a guest appearance reprising "You'll Never Know". She seems reserved.
With all the entertaining films available to include in the package, "Four Jills in Jeep" is a rotten choice. It also should be pointed out that "Hollywood Cavalcade" is not a musical, given that this set is another of Fox's "Marquee Musicals". The film certainly has the feel of one with a delightful soundtrack of old favourites supporting the melodrama but Faye does not sing.
The set has been beautifully packaged. All of the prints have been restored and are in great condition and the 2 technicolour prints are outstanding. Every film has its own documentary, not only focusing on Faye and her colleagues but on the historical aspects of the yarns - Fanny Brice for "Rose", the advent of radio for "Broadcast", the history of Hollywood for "Cavalcade" and USO tours for "Jills". Each of the films with Faye as the lead hit a bullseye at the box office. "Frisco" has a charming featurette on Faye herself and her daughter Alice appears, as well as Michael Feinstein and Hugh Hefner among others.
All the usual marketing material is included such as theatrical trailers, on set stills and advertising. In fact my only complaint is that Faye's exquisite rendition of "I'll see you in my dreams" is not among the deleted numbers from "Rose". A colourful booklet comes in the box, devoting 2 pages of anecdotes and background information to each film. This nicely complements the featurettes on each DVD. Lastly, "Rose", "Jills" and "Frisco" have audio only tracks. You can view the films with the original studio recordings matched carefully to what is on the screen without dialogue interruption etc - a very neat feature.
The DVD set is excellent value and with the documentaries, the modern viewer will begin to understand just what an important star Alice Faye was and that her contribution to American pop music was huge in her heyday.Alice Faye Collection 2 (Rose of Washington Square/Hollywood Cavalcade/The Great American Broadcast/Hello, Frisco, Hello/Four Jills in a Jeep) (Full Chk Gift) (2008) OverviewDisc 1: The Great American Broadcast Disc 2: Four Jills in a Jeep Disc 3: Rose of Washington Square Disc 4: Hollywood Cavalcade Disc 5: Hello, Frisco, Hello

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My Fair Lady (1956 Original Broadway Cast) Review

My Fair Lady (1956 Original Broadway Cast)
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My Fair Lady (1956 Original Broadway Cast) ReviewThe original Broadway cast album of MY FAIR LADY is a mandatory disc in every self-respecting musical fan's collection. It captures the cast at the top of their game, and Julie Andrews at the peak of her Broadway career. Her voice is sparkling and effervescent, with Rex Harrison as a thrilling Higgins and Stanley Holloway a delight as Eliza's erstwhile father Alfred P. Doolittle. The monaural sound is warm and lush in Columbia's best style. This newest remaster of the album sounds better than ever. By the time the London cast album was recorded 4 years later (to take advantage of the new stereo format), a tired feeling had crept into Julie Andrews' singing (or perhaps boredom), so the Broadway edition is the format of choice, despite the technical limitations of the mono mix.My Fair Lady (1956 Original Broadway Cast) Overview

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