Hello, Dolly (1994 Broadway Revival Cast) Review

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Hello, Dolly (1994 Broadway Revival Cast) ReviewHELLO DOLLY! is still one of musical theatre's crowning-glories. The original 1964 production catapulted Carol Channing into the annals of Broadway folklore and the role became her signature performance.
In 1994, Carol Channing and DOLLY! came back to Broadway for a limited-run revival. Channing has lost few steps since originating the role and turns in a fabulous performance. Like a fine wine, her performance and portrayal of Dolly grew richer and more honed.
Channing was surrounded by a strong cast including Florence Lacey as Irene Molloy, Jay Garner as Horace Vandergelder, Michael DeVries as Cornelius Hackl, Cory English as Barnaby Tucker and Lori Ann Mahl as Minnie Fay.
Florence Lacey sings a deeply-affecting "Ribbons Down My Back", DeVries and English are wonderful with "Dancing" and Jay Garner is the perfect stuffy foil to Channing's manic and free-wheeling matchmaker.
There are many differences to the original 1964 cast album, including the addition of a new, longer Overture, and the extended sequence to "Dancing". Sound quality is also very impressive, though the original cast album's sound quality is still as fresh as paint.
Get this superb CD today (or buy both albums if you have yet to discover the joys of this landmark Broadway show).Hello, Dolly (1994 Broadway Revival Cast) Overview

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Cabaret: The New Broadway Cast Recording (1998 Broadway Revival) Review

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Cabaret: The New Broadway Cast Recording (1998 Broadway Revival) ReviewThe current Broadway revival of Kander and Ebb's 1966 musical CABARET is not entirely faithful to the original production. Some changes are based on Bob Fosse's 1972 film version, while others date from more recent revivals. Gone are the songs: "Meeskite", "Why Should I Wake Up?" and "The Telephone Song" and the film's "Money Money" has replaced the original show's "Money Song" - but we gain from the addition of "Mein Herr" and "Maybe This Time" from the film score, and "I Don't Care Much" cut from the original show during previews.
Natasha Richardson handles Sally's songs well - but not too well: You never lose sight of the fact that Sally is a second rate singer in a tacky Cabaret. John Benjamin Hickey isn't given a lot to do on the recording: Aside from a few lines of dialogue he shares but one duet with Ms.Richardson. Pity, as he seems to exhibit a fine singing voice.
The real star of the disc is Tony winner Alan Cumming as the Emcee: Comic and terrifying all at once. While Joel Grey presented a leering Emcee, Cumming is much darker: more decadent - Listen to him relish the word "beautiful" not once but three times in a row during the opening number..
Lotte Lenya brought such depth to the characterization of Frau Schneider, that others have paled in her wake, but Mary Louise Wilson gives the character a quiet dignity and resists any temptation to mimic her celebrated predecessor.
RCA Victor has again done an outstanding cast recording capturing the look and sound of one of Broadway's biggest hits. The accompanying booklet offers several color shots of the production and all the lyrics - but, unfortunately, no synopsis to provide the uninitiated with any kind of story link. It's the only flaw in an otherwise first rate package.
Columbia's classic original cast album (recently reissued on CD by Sony in their Columbia Broadway series) remains definitive - but this new darker more abr! asive production has yielder a very fine CD that crackles with theatrical excitement.Cabaret: The New Broadway Cast Recording (1998 Broadway Revival) Overview

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