Showing posts with label sergei prokofiev. Show all posts
Showing posts with label sergei prokofiev. Show all posts

Prokofiev - L'Amour des Trois Oranges (The Love for Three Oranges) (2005) Review

Prokofiev - L'Amour des Trois Oranges (The Love for Three Oranges) (2005)
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Prokofiev - L'Amour des Trois Oranges (The Love for Three Oranges) (2005) ReviewThis opera was new to me -- previously the only Prokofiev operas I knew were "War & Peace" and "The Betrothal in a Monastery" -- and I was delighted with it from start to finish. It takes Prokofiev's touches of Commedia dell'Arte and expands them to encompass the entire production, chorus, leads, staging and all. The enormous size of the Bastille stage allows the director, Gilbert Deflo, to place the opposing choruses on opposite sides of the pit and to keep them in view throughout the piece, so that the audience is drawn in through the chorus. The stage tricks are delightful and suited to the pace of the production, including abundant fireworks, some good tumbling and juggling, and two 'flying changes' for the Princess turned into a rat and back again.
The music of the opera is declamatory rather than lyrical: it proceeds as a drama more than as a conventional opera with arias and duets and so forth. Nevertheless, the music is brilliant and serves the story admirably, and the orchestral score positively crackles. The famous March is used to finish off the evening as well as in its more usual places, which means that the audience does have a good tune to whistle on the way home.
The singers, with the exception of the wonderful Jose van Dam as the magician, were not familiar to me, but I was deeply impressed with Charles Workman as the Prince, a fine lyric tenor with a sweet tone and enough power for heavier roles should he move to them. (At the moment his repertoire is largely Mozart, Rossini, and Rameau, but he also has Strauss (Arabella), Janacek (The Makropoulos Case) and Hindemith (Cardillac) so he may widen his scope even further.)
If you like Prokofiev, modern opera, theatricality at its best, commedia, or just sheer enjoyment, this is for you. As a postscript, if you want the lyric and more highly dramatic side of Prokofiev I strongly recommend the Paris Opera production of "War and Peace" on TDK.Prokofiev - L'Amour des Trois Oranges (The Love for Three Oranges) (2005) Overview

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Peter and the Wolf Review

Peter and the Wolf
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Peter and the Wolf Review"Peter And The Wolf" (2008)
Technically stunning, and thematically dark, this amazing adaptation of Sergei Prokoviev's classic children's piece, features marvelous stop-motion animation from director Suzie Templeton.
The film places "Peter" squarely back into its Russian origins, but rather than an idealized rural-agrarian past, it places the story in a more modern setting, amid glum, drab, rundown shacks and tattered forests, a grim vision of a Soviet-era or post-Soviet Eastern Europe, complete with gun-toting thugs (the hunters of the original story here seem more like cold-hearted militiamen) and the nearby village appears as a rundown, dismal cinderblock outpost. Amid this crushing gloom, Peter finds wonder and joy, unlocking a secret garden where he and his friends the bird and the duck (both crippled and unable to fly) are able to play and forget the bleakness around them.
While this may sound a bit miserable, the film itself is a marvel: the amount of work that went into this film is amazing, with Templeton devoting a full five years of her life to completing the piece. Equally engrossing are the added special features, including a making-of video and interview with Templeton and her cohorts that gives a sense of the sheer scope of their project, and the level of detail that went into this production. While the film itself may be a bit dark for smaller children, it will enthrall older kids and adults alike... This is a real class act, a film worth having and viewing for years to come. Recommended! (Joe Sixpack, Slipcue film reviews)Peter and the Wolf OverviewItem Name: Peter and the Wolf; Studio:Magnolia Home Entertainment

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