Operavox (1994) Review

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Operavox (1994) ReviewI had eagerly anticipated this disc, but was greatly disappointed in the quality of the sound and the animation. Each of the segments was animated in a different style, and some of them worked OK but some did not work well at all. The Rigoletto, for example, was entertaining and imaginative, but the Magic Flute was disorganized and the story line was almost missing. The Carmen was probably the best of the bunch and the Turandot was probably overall the worst--bad, in fact.
The sound was disappointing because the balance was off-the orchestra sometimes overpowered the singers. The singers were generally quite good. The singers were sometimes hard to understand, and the disc would have been better with subtitles, even though all the singing was in English. I love good animation and opera but this just wasn't it.Operavox (1994) OverviewAn unforgettable journey into opera and animation. Operavox is state-of-the-art animation techniques, spellbinding music and unforgettable stories distilled into 30-minute films full of invention, emotion and fun. Breaking free of the confines of the stage, their extravagant visual style brings a new accessibility to these long-established masterpieces. Contains scenes of animated nudity and graphic violence--parental discretion advised. Operas included: The Magic Flute (Wolfgang Amadeus Mozart), The Barber of Seville (Gioacchino Rossini), Carmen (Georges Bizet), Das Rheingold (Richard Wagner), Turandot (Giacomo Puccini), Rigoletto (Giuseppe Verdi). 180minutes.

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