London (Original Motion Picture Soundtrack) Review

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London (Original Motion Picture Soundtrack) ReviewThe Crystal Method take their first stab at film scoring with LONDON, a movie which (as of this writing) I know little about, other than the fact that it takes place in New York City. Still, it sounds like TCM are adapting to this new role quite nicely on this soundtrack, though whether their more casual fans will want to pick it up remains questionable.
As far as new material from TCM goes, LONDON is probably best thought of as an eight-track EP with 6 bonus tracks from other artists (one of which is remixed by TCM). These songs aren't quite as danceable as those on their previous releases--but then, these songs are primarily intended to reflect the mood of the on-screen action; that's the nature of film score (as opposed to straightforward "dance music"). That said, most of TCM's songs (with the title trac being a notable exception) can get you moving, and "Smoked" and "Roboslut" are good enough to work on their own without the rest of the soundtrack as
The non-TCM stuff (tracks 2, 4, 8, 9, 11, and 14) is a mix of rock and electronic music. It's pretty good, though why the decision was made to put all of the rock tracks on the second half of the album confuses me--though perhaps this has something to do with when the songs are played in the actual film. Particularly notable are The Out Crowd, whose "C'mon Children" is a wonderful bit of psychedelic retro-rock goodness (though the lead singer sounds eerily like Bernard Sumner of New Order), and Connie Price and The Keystones' wonderfully jazzy instrumental "Sucker Punch." Evil Nine also turn in a fine contribution with "Restless," which sounds like bit like an electronica tune as performed by the Hives.
All in all, this isn't a bad set of tunes--it's a little short at 55 minutes, and none of TCM's songs crack the 5-minute mark, but this is still a very entertaining soundtrack.London (Original Motion Picture Soundtrack) Overview

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